Filed under book | Tags: · activism, art, participation, participatory art, political art, politics, protest, social movements, tactics, useful art
“How does art play a role in social and political struggles all over the world? Can art be a tool with which to shape the world, rather than just reflect it?
Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics takes the possibility of concrete truth as a working hypothesis and looks for direct action and concrete knowledge: for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that not only acts for the sake of acting but searches for intelligent, creative means of self-empowerment. This book is the second manifestation under this title; the first materialized as a twenty-four-hour, seven-day marathon camp that took place in the frame of the steirischer herbst festival in Graz, Austria, in September 2012.
This handbook is a stand-alone publication, emphasizing the “usefulness” of the different artistic approaches collected. It is a toolbox and a manual with contributions by key protagonists in this field. One hundred texts describe very different strategies and tactics, written by their inventors and/or practitioners from all over the world, mapping the broad field of engaged art and artistic activism today. Additional essays focus on the philosophy, structures, and modalities behind the many battles to make this world a better place.”
Essays by Stephen Duncombe and Steve Lambert, Alanna Lockward, Florian Malzacher, Chantal Mouffe, Gerald Raunig, Jonas Staal; a conversation with etcetera, Nato Thompson, WHW; and drawings by Dan Perjovschi.
With further contributions by Jonathan Allen, Udi Aloni, Corina L. Apostol / Artleaks, Hector Aristizábal, Saki Bailey / Teatro Valle, Artúr van Balen / Tools for Action, Katherine Ball, Andy Bichlbaum / The Yes Men, Reverend Billy & The Church of Stop Shopping, Leah Borromeo, Andrew Boyd, Tania Bruguera, Santiago Cirugeda / Recetas Urbanas, Collective Authorship, Corrupt Tour, Gabriella Csoszó / FreeDoc, Minerva Cuevas, Neil Cummings, Diedrich Diederichsen, Charles Esche, Noah Fischer, Benjamin Foerster-Baldenius / raumlaborberlin, Sérgio Miguel Franco / Pixadores, Andrea Fraser, Isabelle Fremeaux, Christine Gaigg, Ganzeer, Federico Geller, Guillermo Gómez-Peña / La Pocha Nostra, Marina Gržinić, Núria Güell, Erdem Gündüz, Hans Haacke, The Haircut Before The Party, Stefano Harney, Carl Hegemann, Justin Hoffmann, Khaled Hourani, Iconoclasistas, The Institute for Human Activities, International Institute of Political Murder, Janez Janša, Khaled Jarrar, Jeudi Noir, Anna Jermolaeva, John Jordan, Janice Kerbel, Jisun Kim, Omer Krieger, the laboratory of insurrectionary imagination, Kalle Lasn / Adbusters, André Lepecki, Lexxus Légal, Lawrence Liang, Liberate Tate, Geert Lovink, Matteo Lucchetti, Lucifer / Church of Kopimism, Oliver Marchart, Leónidas Martín, Joana Mazza / Observatório de Favelas, Tomislav Medak, Thomas Meinecke, Jasmina Metwaly / Mosireen Collective, Antanas Mockus, Jean-Luc Moulène, Rabih Mroué, Michal Murin, Marina Naprushkina / Office for Anti-Propaganda, Neue Slowenische Kunst, Occuprint, Robyn Orlin, Ahmet Öğüt / The Silent University, Sibylle Peters, The Pinky Show, Srđa Popović / CANVAS, Public Movement, Raivo Puusemp, Richard Reynolds, Irit Rogoff, Ned Rossiter, Philipp Ruch / Center for Political Beauty, Yekaterina Samutsevich / Pussy Riot, Florian Schneider, Frank Apunkt Schneider / monochrom, Susan Schuppli / Forensic Architecture, Shared Inc., Inna Shevchenko / Femen, Gregory Sholette, Stevphen Shukaitis, Toma Sik, Kostis Stafylakis / Kavecs, Mladen Stilinović, Kuba Szreder, Claire Tancons, Mierle Laderman Ukeles, Ultra-red, the vacuum cleaner, Dmitry Vilensky / Chto Delat?, Marina Vishmidt, Joanna Warsza, WochenKlausur, Krzysztof Wodiczko, Jacob Wren, Stephen Wright, Kàddu Yaraax, Wu Yuren, Salam Yousry, and Slavoj Žižek.
Edited by steirischer herbst and Florian Malzacher
Co-edited by Anne Faucheret, Veronica Kaup-Hasler, Kira Kirsch, Andreas R. Peternell, Johanna Rainer
Publisher Sternberg Press, Berlin, and steirischer herbst, Graz, 2014
ISBN 9783943365849, 3943365840
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Filed under book | Tags: · activism, anonymous, anthropology, ddos, free speech, hacker culture, hacking, hacktivism, internet, internet culture, irc, lulzsec, politics, security, tactics, twitter, web, wikileaks
“A book on the worldwide movement of hackers, pranksters, and activists that operates under the non-name Anonymous.
Half a dozen years ago, anthropologist Gabriella Coleman set out to study the rise of this global phenomenon just as some of its members were turning to political protest and disruption (before Anonymous emerged as a player in the battles over WikiLeaks, the Arab Spring, and Occupy Wall Street). She ended up becoming closely connected to Anonymous and the story of her inside-outside status as Anon confidante, interpreter, and erstwhile mouthpiece forms one of the themes of this engrossing book.
The narrative brims with details unearthed from within a notoriously mysterious subculture, whose best-known tricksters – such as Topiary, tflow, Anachaos, and Sabu – emerge as complex, diverse, politically and culturally sophisticated people. Propelled by years of chats and encounters with a multitude of hackers, including imprisoned activist Jeremy Hammond and the double agent who helped put him away, Hector Monsegur, Hacker, Hoaxer, Whistleblower, Spy is filled with insights about digital activism and little understood facets of culture in the Internet age, including the history of “trolling,” the ethics and metaphysics of hacking, and the origins and manifold meanings of “the lulz.””
Publisher Verso Books, London and New York, November 2014
Creative Commons BY-NC-SA license
ISBN 1781685835, 9781781685839
Reviews: Astra Taylor (Bookforum, 2014), Jamie Bartlett (Guardian, 2014), Hannah Kuchler (Financial Times, 2014), David Gilbert (IB Business Times, 2014), Haley Mlotek (National Post, 2014), Publishers Weekly (2014), Kirkus Reviews (2014), Nathalie Maréchal (Int’l J of Communication, 2015), Maxigas (Krisis, 2015).
Commentary: João Biehl & Naomi Zucker, Haidy Geismar, Adam Fish & Luca Follis, Tom Boellstorff, Gabriella Coleman (J Ethnographic Theory book symposium, 2015).Comment (0)
Filed under book | Tags: · activism, community, politics, radicalism, tactics
The father of modern community organization, Saul Alinsky taught a generation of activists and politicians how to effectively construct social change. In Rules for Radicals, Alinsky writes with passion and intelligence, carefully outlining “the difference between being a realistic radical and being a rhetorical one.” Indispensable since its first publication in 1971, this book continues to inform and inspire all those who believe that political engagement is the key to maintaining America’s democratic tradition.
Originally published by Random House, New York, 1971
Publisher Vintage Books, a division of Random House, New York, October 1989
ISBN 0679721134, 9780679721130