Filed under book | Tags: · aesthetics, biology, brain, dreams, homeostasis, insomnia, sleep, unconscious
“Sleep is quite a popular activity, indeed most humans spend around a third of their lives asleep. However, cultural, political, or aesthetic thought tends to remain concerned with the interpretation and actions of those who are awake. How to Sleep argues instead that sleep is a complex vital phenomena with a dynamic aesthetic and biological consistency.
Arguing through examples drawn from contemporary, modern and renaissance art; from literature; film and computational media, and bringing these into relation with the history and findings of sleep science, this book argues for a new interplay between biology and culture. Meditations on sex, exhaustion, drugs, hormones and scientific instruments all play their part in this wide-ranging exposition of sleep as an ecology of interacting processes.
How to Sleep builds on the interlocking of theory, experience and experiment so that the text itself is a lively articulation of bodies, organs and the aesthetic systems that interact with them. This book won’t enhance your sleeping skills, but will give you something surprising to think about whilst being ostensibly awake.”
Publisher Bloomsbury Academic, London, 2018
ISBN 1474288707, 9781474288705
Filed under journal | Tags: · anthropology, language, linguistics, literary criticism, literary theory, philosophy, psychoanalysis, structuralism, unconscious
An early English-language collection of French structuralist writings.
Essays by André Martinet, Philip E. Lewis, Claude Lévi-Strauss, Harold W. Scheffer, Sheldon Nodelman, Jan Miel, Jacques Lacan, Geoffrey Hartman, Jacques Ehrmann, Michael Riffaterre, and Victoria L. Rippere. Bibliographies compiled by Elizabeth Barber, Allen R. Maxwell, Jacques Lacan, Anthony G. Wilden, and T. Todorov.
Edited by Jacques Ehrmann
Publisher Yale University Press, 1966
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Filed under book | Tags: · cinema, film, film theory, image, poetics, theory, unconscious
“Chilean filmmaker Raoul Ruiz is the author of some 100 feature-length films, along with numerous plays and multi-media installations. In Poetics of Cinema, Ruiz takes a fresh approach to the major themes haunting our audio-visual civilization: the filmic unconscious, questions of utopia, the inter-contamination of images, the art of the copy, the relations between artistic practices and institutions. Based on a series of lectures given at Duke University in North Carolina, Poetics of Cinema develops an acerbically witty critique of the reigning codes of cinematographic narration, principally derived from the dramatic theories set forth by Aristotle’s Poetics and characterized by Ruiz as the “central-conflict theory.” Ruiz’s knowledge of theology, philosophy, literature and the visual arts never outstrips his imagination. Poetics of Cinema not only offers a singularly pertinent analysis of the seventh art, but also shows us an entirely new way of writing and thinking about images.” (Source)
Translated by Brian Holmes (I) and Carlos Morreo (II)
Publisher Dis Voir, Paris, 1995 & 2007
ISBN 2906571385, 9782906571389 (I), & 2914563256, 9782914563253 (II)
124 & 111 pages
Poetics of Cinema, 1: Miscellanies (English, 1995; removed on 2015-7-15 upon request of the publisher)
Poetics of Cinema, 2 (English, 2007; removed on 2015-7-12 upon request of the publisher)
Poética del cine (Spanish, trans. Waldo Rojas, 2000, 9 MB)
For more by and about Ruiz see Film Studies For Free.Comment (0)