Klangkunst (1996) [German]

Catalogue for the landmark sound art festival, Sonambiente – Festival für Hören und Sehen, held in August-September 1996 in Berlin.

The festival, “was part of the Academy of Arts’ tricentennial celebration and presented the most comprehensive survey to date of contemporary international sound art. During the four weeks of that festival, some 50,000 visitors experienced works by more than 100 participating artists at more than 20 venues in Berlin’s Mitte district.” (source)

Edited by Akademie der Künste, Berlin, and Helga de la Motte-Haber
Publisher Prestel, Munich, 1996
ISBN 3791316990, 9783791316994
303 pages
via VP

Festival website

WorldCat

PDF (69 MB, no OCR)
Video documentary (50 min, MOV, 115 MB), English transcript (PDF, both links updated on 2019-1-3)

For more on sound art see Monoskop wiki

Fluxus Virus, 1962-1992 (1992) [English/German]

Catalogue of an exhibition held in Cologne, containing essays on Fluxus by Ken Friedman, Peter Frank, Ina Conzen Meairs, Wilfried Dörstel/ Reier Steinberg, Hannah Higgins, Karen Moss, Owen Smith, David Doris, Dieter Daniels, Ina Blom, Mariane Hoffan, Michael Erlhoff, James Lewes, and Manfred de la Motte.

Edited by Ken Friedman
Publisher Galerie Schüppenhauer, Cologne, 1992
ISBN 3926226285, 9783926226280
399 pages
via VP

WorldCat

PDF, PDF (68 MB, no OCR)

For more on Fluxus see Monoskop wiki

Earth Art (1970)

“With the emergence of land art in the late 1960s, artists began making works inextricably bound to their sites, which became known as “Earthworks.” They worked on location and used the earth itself as canvas or sculptural material, making outdoor gestures—often in distant corners of the world—that were both antimonumental and epic. Because their art evaded the traditional path from cloistered studio to rarefied gallery or museum, the artists often were dependent on photography and the mass media to communicate its very existence.

The Earth Art exhibition—held at the Andrew Dickson White Museum of Art at New York’s Cornell University, in 1969—was the first museum exhibition dedicated to this new way of producing and presenting artworks. Conceived by Willoughby Sharp (1936–2008), an independent curator, publisher, and artist, the exhibition presented site-specific installations by nine artists: Jan Dibbets from the Netherlands, Hans Haacke and Günther Uecker from Germany, Richard Long from Great Britain, David Medalla from the Philippines, and Neil Jenny, Robert Morris, Dennis Oppenheim, and Robert Smithson from the United States. Initially twelve artists were invited: Michael Heizer and Walter de Maria briefly exhibited in the show but were not mentioned in the catalogue, which was published a year later. Carl Andre was also invited but ultimately declined to participate.

Most of the participating artists were on site for about a week in late January/early February of 1969 to make new pieces for the exhibition with the help of students from Cornell University, including Gordon Matta-Clark and Louise Lawler, graduates of the College of Architecture, Art, and Planning. Medalla sent installation instructions for his piece by mail, while Morris had to phone his in—he could not make it to Ithaca because of a blizzard.

Installed inside the A. D. White Museum and scattered around the Cornell campus and the surrounding Ithaca area, the commissioned pieces sought to eschew the commodity status of the art object and to question the role of institutions. The dissolution of boundaries—between object and context, between different mediums, and between the work of art and its documentation—was a hallmark of the art of the time, reflecting 1960s counterculture more broadly. It is at this intersection—where art meets life and art turns into activism—that the influence of the 1960s earth artists has perhaps had the most significant impact on a current generation of artists working on issues related to ecology.

The exhibition catalogue includes a foreword by Thomas W. Leavitt (1930–2010), then the director of the A. D. White Museum of Art; essays by Sharp and William C. Lipke, then professor of art history at Cornell University; artist biographies; transcripted excerpts from a symposium on earth art held at Cornell on February 6, 1969; and more than forty black-and-white photographs.” (Source)

Edited by Nita Jager
Publisher Cornell University, New York, 1970
[81] pages
via Cornell University Library

Images
Video interviews with Willoughby Sharp and Dennis Oppenheim about the exhibition, 2008, 20 min

PDF (25 MB)
View online (Hathi Trust, updated on 2019-4-10)