Matthew Fuller, Andrew Goffey: Evil Media (2012)

30 November 2013, dusan

Evil Media develops a philosophy of media power that extends the concept of media beyond its tried and trusted use in the games of meaning, symbolism, and truth. It addresses the gray zones in which media exist as corporate work systems, algorithms and data structures, twenty-first century self-improvement manuals, and pharmaceutical techniques. Evil Media invites the reader to explore and understand the abstract infrastructure of the present day. From search engines to flirting strategies, from the value of institutional stupidity to the malicious minutiae of databases, this book shows how the devil is in the details.

The title takes the imperative “Don’t be evil” and asks, what would be done any differently in contemporary computational and networked media were that maxim reversed.

Media here are about much more and much less than symbols, stories, information, or communication: media do things. They incite and provoke, twist and bend, leak and manage. In a series of provocative stratagems designed to be used, Evil Media sets its reader an ethical challenge: either remain a transparent intermediary in the networks and chains of communicative power or become oneself an active, transformative medium.”

Publisher MIT Press, 2012
ISBN 0262304406, 9780262304405
235 pages

Review: Nicholas Holm (Media Int’l AU, 2013).
Evil media on Monoskop wiki

Publisher

PDF (updated on 2016-10-13)
HTML (added on 2015-8-28)

See also YoHa, et al., Evil Media Distribution Centre, 2013.

Thomas Ort: Art and Life in Modernist Prague: Karel Čapek and his Generation, 1911-1938 (2013)

30 November 2013, dusan

“In most histories of Europe before the First World War, modern life in Habsburg Mitteleuropa takes on a decidedly gloomy cast. Centering on Vienna in the twilight years of the Austro-Hungarian Empire, such accounts describe the failure of rationalism and the rise of a dangerous politics of fantasy. This book tells a different story, highlighting a generation of Czech writers and artists distinguished by their affirmative encounter with the modern world in the first decades of the twentieth century. Novelist and playwright Karel Čapek, along with other members of his cohort, embraced the possibilities of the post-Habsburg era. Tracing the roots of Čapek’s generation to cubist art and turn-of-the-century philosophy, author Thomas Ort shows that the form of modernism they championed led not into the thickets of fascism or communism but in fact closer to liberal political ideals.”

Publisher Palgrave Macmillan, 2013
Palgrave Studies in Cultural and Intellectual History series
ISBN 1137188863, 9781137188861
276 pages

Publisher

PDF

Tomáš Pospiszyl (ed.): Před obrazem: Antologie americké výtvarné teorie a kritiky (1998) [Czech]

27 November 2013, dusan

Podnětné texty výtvarných kritiků, vykladačů uměleckých děl i samotných umělců, kteří se podíleli na vývoji amerického umění, ovlivňovali tvorbu umělců, odhalili nové umělecké skupiny, směry a trendy moderního umění a analyzovali jeho umělecká díla. Zabývali se nejen samotnými umělci a jejich díly, ale i diváky současného umění, vývojem jejich reakcí, zálib a chápání toho nejnovějšího umění. Zapojili umění do širokých historických a politických souvislostí.

Edited and Translated by Tomáš Pospiszyl
Publisher OSVU, 1998
ISBN 8023812866
189 pages

PDF (79 MB, no OCR)

Niccolò Machiavelli: The Prince (1532–) [IT, EN, RO, FR, CZ, DE, PT, SK, ES]

27 November 2013, dusan

“Here is the world’s most famous master plan for seizing and holding power. Astonishing in its candor The Prince even today remains a disturbingly realistic and prophetic work on what it takes to be a prince … a king … a president. When, in 1512, Machiavelli was removed from his post in his beloved Florence, he resolved to set down a treatise on leadership that was practical, not idealistic. In The Prince he envisioned would be unencumbered by ordinary ethical and moral values; his prince would be man and beast, fox and lion. Today, this small sixteenth-century masterpiece has become essential reading for every student of government, and is the ultimate book on power politics.”

Wikipedia

Il Principe (Italian, ed. Sálvio Marcelo Soares, 2009)
The Prince (English, trans. Luigi Ricci, 1903/1921)
Principele (Romanian, trans. Sorin Ionescu [pseudonym of Nina Façon], 1943, added on 2014-9-3), 1999 edition
Le prince (French, trans. Jean-Marie Tremblay, 1962)
The Prince (English, trans. James B. Atkinson, 1976/2008)
The Prince (English, trans. Harvey C. Mansfield, 1985/1998)
Vladař‎ (Czech, trans. Josef Hajný, 1986)
Der Fürst (German, trans. Friedrich von Oppeln-Bronikowski, 1990)
O Príncipe (Portuguese, trans. Maria Julia Goldwasser, 1990/2001)
Vladár (Slovak, trans. Pavol Koprda and Blahoslav Hečko, 1992)
The Prince (English, trans. Peter Bondanella, 2005)
O Príncipe (Portuguese, trans. Antonio D’Elia, 2006)
El Príncipe (Spanish, undated)

Rachel Law & McKenzie Wark: W.A.N.T: Weaponized Adorables Negotiation Tactics (2013)

27 November 2013, dusan

“The art of digital living in the PRISM era. An illustrated book for art, tech & theory fans.

What is data? How do we perceive the difference between data and information? How do we define the size, shape and scale of a network? Where do we even begin? These are the fundamental questions we are trying to address in W.A.N.T.

Digital living is under an onslaught of Weaponized Adorables. They are coming for you. You will be mugged in the bright alleys of your dreams by the teddy bear horde. What you can deploy on your side is your own W.A.N.T, or Weaponized Adorables Negotiation Team. This little manual we will introduce you to them, they are like a set of superheroes ready to fight on this digital terrain.” (from the project’s Kickstarter page)

Published via Kickstarter
Creative Commons Attribution Non-Commercial ShareAlike 3.0 License
80 pages
via Marcell Mars

PDF

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