Florian Cramer: Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts (2011) [German]

“From the antiquity to today, there has been poetry that literally performs computations, processing its own letters. Prototyped by magic and Pythagorean mathematical aesthetics, it encompasses such diverse forms as kabbalist and Lullist language combinatorics, word permutation poetry, ludistic poetry, computational text collage, aleatoric, stochastic and recursive texts, Oulipian constraints, computer-generative literature, poetry in programming languages, and codeworks. Just like visual and sound poetry poetize the graphetic and phonetic dimensions of words, these writings show that computation is a dimension of language. On top of that, their poetics is rife with speculative and contradictory programs: often one and the same text form is at once being instrumentalized for total art and anti-art, mysticism and technicism, order and chaos. This has resulted in a fantastic literature whose speculative imagination manifests itself in the arrangement of letters rather than the semantics of the text. The book includes close readings of a 17th century sonnet (Quirinus Kuhlmann’s “XLI. Libes-kuss”), a 20th century musical composition (Alvin Lucier’s “I am sitting in a room”) and a 21st century net.art codework (mez breeze’s “_Viro.Logic Condition][ing][ 1.1_”), and discusses limitations of existing literary and media theory for criticism of these works.

A shorter, less scholarly English-language mutant of this book has been electronically published in 2005 as Words Made Flesh: Code, Culture, Imagination.”

Publisher Wilhelm Fink Verlag, October 2011
343 pages

Note: the book has just become free for Open Access publishing and is offered here for download in its manuscript version, licensed under Creative Commons Attribution Unported 3.0.

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Computational Culture, a Journal of Software Studies, Issue Two (2012)

Computational Culture is an online open-access peer-reviewed journal of inter-disciplinary enquiry into the nature of cultural computational objects, practices, processes and structures.

With contributions by Robert W. Gehl & Sarah Bell, Annette Vee, Bernhard Rieder, Jennifer Gabrys, Carlos Barreneche, Shintaro Miyazaki, Bernard Stiegler, Chiara Bernardi, Kevin Hamilton, “ “, Boris Ružić, Felix Stalder, Greg Elmer.

Editorial group: Matthew Fuller, Andrew Goffey, Olga Goriunova, Graham Harwood, Adrian Mackenzie
Published in September 2012
Open access
ISSN 2047-2390

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Richard J. Aldrich: GCHQ: The Uncensored Story of Britain’s Most Secret Intelligence Agency (2010)

The gripping inside story of the last unknown realm of the British secret service: GCHQ (Government Communication Headquarters).

GCHQ is the successor to the famous Bletchley Park wartime code-breaking organisation and is the largest and most secretive intelligence organisation in the country. During the war, it commanded more staff than MI5 and MI6 combined and has produced a number of intelligence triumphs, as well as some notable failures. Since the end of the Cold War, it has played a pivotal role in shaping Britain’s secret state. Still, we know almost nothing about it.

In this ground-breaking new book, Richard Aldrich traces GCHQ’s evolvement from a wartime code-breaking operation based in the Bedfordshire countryside, staffed by eccentric crossword puzzlers, to one of the world leading espionage organisations. It is packed full of dramatic spy stories that shed fresh light on Britain’s role in the Cold War – from the secret tunnels dug beneath Vienna and Berlin to tap Soviet phone lines, and daring submarine missions to gather intelligence from the Soviet fleet, to the notorious case of Geoffrey Pine, one of the most damaging moles ever recruited by the Soviets inside British intelligence. The book reveals for the first time how GCHQ operators based in Cheltenham affected the outcome of military confrontations in far-flung locations such as Indonesia and Malaya, and exposes the shocking case of three GGHQ workers who were killed in an infamous shootout with terrorists while working undercover in Turkey.

Today’s GCHQ struggles with some of the most difficult issues of our time. A leading force of the state’s security efforts against militant terrorist organisations like Al-Qaeda, they are also involved in fundamental issues that will mould the future of British society. Compelling and revelatory, Aldrich’s book is the crucial missing link in Britain’s intelligence history.

Publisher HarperPress, 2010
ISBN 0007278470, 9780007278473
666 pages

review (Richard Norton-Taylor, The Guardian)
review (Sinclair McKay, The Telegraph)
review (Duncan Campbell, New Statesman)
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