Michael J. Thompson (ed.): Georg Lukács Reconsidered: Critical Essays in Politics, Philosophy and Aesthetics (2011)
Filed under book | Tags: · aesthetics, capitalism, critical theory, cultural criticism, ethics, law, literary criticism, marxism, philosophy, political theory, politics
Georg Lukács stands as a towering figure in the areas of critical theory, literary criticism, aesthetics, ethical theory and the philosophy of Marxism and German Idealism. Yet, despite his influence throughout the twentieth century, his contributions to the humanities and theoretical social sciences are marked by neglect. What has been lost is a crucial thinker in the tradition of critical theory, but also, by extension, a crucial set of ideas that can be used to shed new light on the major problems of contemporary society.
This book reconsiders Lukács’ intellectual contributions in the light of recent intellectual developments in political theory, aesthetics, ethical theory, and social and cultural theory. An international team of contributors contend that Lukács’ ideas and theoretical contributions have much to offer the theoretical paucity of the present. Ultimately the book reintegrates Lukács as a central thinker, not only in the tradition of critical theory, but also as a major theorist and critic of modernity, of capitalism, and of new trends in political theory, cultural criticism and legal theory.
Publisher Continuum, 2011
ISBN 1441108769, 9781441108760
253 pages
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Comment (0)Richard Gilman-Opalsky: Spectacular Capitalism: Guy Debord and the Practice of Radical Philosophy (2011)
Filed under book | Tags: · art, capitalism, philosophy, situationists, socialism, spectacle, theory
Despite recent crises in the financial system, uprisings in Greece, France, Tunisia, and Bolivia, worldwide decline of faith in neoliberal trade policies, deepening ecological catastrophes, and global deficits of realized democracy, we still live in an era of “spectacular capitalism.” But what is “spectacular capitalism”? Spectacular capitalism is the dominant mythology of capitalism that disguises its internal logic and denies the macroeconomic reality of the actually existing capitalist world. Taking on this elusive mythology, and those who too easily accept it, Richard Gilman-Opalsky exposes the manipulative and self-serving narrative of spectacular capitalism.
Drawing on the work of Guy Debord, Gilman-Opalsky argues that the theory of practice and practice of theory are superseded by upheavals that do the work of philosophy. One could ask: Who better raises questions about public and private spheres of influence and control, Jürgen Habermas or the water war activists who made a rebellion in Cochabamba, Bolivia in the spring of 2000? Or, has any sociological theorist done better than the Zapatistas to reframe and raise questions about indigenous identity? Spectacular Capitalism makes the case not only for a new philosophy of praxis, but for praxis itself as the delivery mechanism for philosophy – for the field of human action, of contestation and conflict, to raise directly the most irresistible questions about the truth and morality of the existing state of affairs.
Published by Minor Compositions, June 2011
ISBN 157027228X, 978-1570272288
136 pages
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Félix Guattari: Chaosophy: Texts and Interviews 1972–1977, new ed. (2008)
Filed under book | Tags: · anti-psychiatry, capitalism, desire, desiring machines, deterritorialization, fascism, machine, philosophy, psychoanalysis, revolution, schizoanalysis, schizophrenia, semiotics
“Chaosophy is an introduction to Félix Guattari’s groundbreaking theories of “schizo-analysis”: a process meant to replace Freudian interpretation with a more pragmatic, experimental, and collective approach rooted in reality. Unlike Freud, who utilized neuroses as his working model, Guattari adopted the model of schizophrenia—which he believed to be an extreme mental state induced by the capitalist system itself, and one that enforces neurosis as a way of maintaining normality. Guattari’s post-Marxist vision of capitalism provides a new definition not only of mental illness, but also of the micropolitical means for its subversion.
Chaosophy includes Guattari’s writings and interviews on the cinema (such as ‘Cinema Fou’ and ‘The Poor Man’s Couch’), a group of texts on his collaborative work with Gilles Deleuze (including the appendix to the second edition of Anti-Oedipus, not available in the English edition), and his texts on homosexuality (including his “Letter to the Tribunal” addressing the French government’s censorship of the special gay issue of Recherches he edited, which earned him a fine for publishing “a detailed exposition of depravity and sexual deviations… the libidinous exhibition of a minority of perverts”). This expanded edition features a new introduction by François Dosse (author of a new biography of Guattari and Gilles Deleuze), along with a range of added essays—including ‘The Plane of Consistency,’ ‘Machinic Propositions,’ ‘Gangs in New York,’ and ‘Three Billion Perverts on the Stand’—nearly doubling the contents of the original edition.”
Edited by Sylvère Lotringer
Introduction by François Dosse
Publisher Semiotext(e), 2008
Foreign Agents series
ISBN 1584350601, 9781584350606
300 pages
PDF (updated on 2017-6-26)
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