Sergei Eisenstein: Selected Works, 1: Writings, 1922-34 (1988)

This volume is a collection of writings by Sergei Eisenstein, considered by some to be cinema’s most important theorist and author of aesthetic writings in the 20th century. Some of the writings are of his early silent masterpieces, The Strike and The Battleship Potemkin.

Edited and translated by Richard Taylor
Publisher British Film Institute, London, 1988
ISBN 0851702066, 9780851702063
343 pages

PDF (no OCR; updated on 2012-7-14)

Piotr Piotrowski: In the Shadow of Yalta: Art and the Avant-garde in Eastern Europe, 1945-1989 (2005/2009)

“In the Shadow of Yalta is a comprehensive study of the artistic culture of the region between the Iron Curtain and the USSR, taking in Bulgaria, Czechoslovakia, Germany, Hungary, Poland, Romania and Yugoslavia. Piotr Piotrowski chronicles the relationship between art production and politics in this zone between the end of World War II and the fall of Communism, focusing in particular on the avant-garde.

Beginning with an analysis of Surrealism in Czechoslovakia, Poland and Hungary, Piotrowski then examines the evolution of Modernism against the backdrop of the decline of Stalinism. He follows with an account of the neo-avant-garde experience: the body art and conceptual art made during the volatile political circumstances of the 1970s, the times of ‘real Socialism’. The book concludes with an epilogue describing the end of the Communist system in East-Central Europe, and the art that served witness to that end. Alongside the portrayal of the frequently challenging art that was made in response to such difficult circumstances, the common threads that emerge from the narrative are the erosion of ideology, the rise of consumerism and the emergence of political pragmatism.

Featuring more than 220 images by artists frequently unfamiliar to an English-speaking audience, In the Shadow of Yalta is a fascinating portrait of the art made in an area and during a time of crucial importance to the development of Europe as we know it today. The book will have much to say to art historians, art critics, and students of art history interested in Central and Eastern European art, as well as general historians of the region.”

First published by Rebis, Poznań, Poland, 2005.

Translated by Anna Brzyski
Publisher Reaktion Books, 2009
ISBN 1861894384, 9781861894380
487 pages

Reviews: Katarzyna Murawska-Muthesius (Umění, 2007, repr.), Piotr Bernatowicz (Nordlit, 2007), Dorota Biczel Nelson (2008), Éva Forgács (ARTMargins, 2009, repr.), Magdalena Cześniak-Zielińska (Facta Simonidis, 2009, PL), Henning Küpper (kunsttexte.de Ostblick, 2010, DE), Andrzej Szczerski (Journal of Architecture, 2010), Pál Deréky (Balkon, 2010, HU), David Crowley (J European Studies, 2011).

Publisher

PDF (updated on 2019-2-2)

Ellen Mickiewicz: Split Signals: Television and Politics in the Soviet Union (1990)

Television has changed drastically in the Soviet Union over the last three decades. In 1960, only five percent of the population had access to TV, but now the viewing population has reached near total saturation. Today’s main source of information in the USSR, television has become Mikhail Gorbachev’s most powerful instrument for paving the way for major reform.

Containing a wealth of interviews with major Soviet and American media figures and fascinating descriptions of Soviet TV shows, Ellen Mickiewicz’s wide-ranging, vividly written volume compares over one hundred hours of Soviet and American television, covering programs broadcast during both the Chernenko and Gorbachev governments. Mickiewicz describes the enormous significance and popularity of news programs and discusses how Soviet journalists work in the United States. Offering a fascinating depiction of the world seen on Soviet TV, she also explores the changes in programming that have occurred as a result of glasnost.

Publisher Oxford University Press US, 1990
ISBN 0195063198, 9780195063196
304 pages

Publisher
Google books

PDF (16 MB, updated on 2014-4-27)