Paul Frosh: The Image Factory. Consumer Culture, Photography and the Visual Content Industry (2003)

Quietly but implacably, powerful transnational corporations are gaining power over our visual world. A ‘global, visual content industry’ increasingly controls images supplied to advertisers, marketers and designers, yet so far the process has, paradoxically, evaded the public eye. This book is the first to expose the interior workings of the visual content industry, which produces approximately 70% of the images that define consumer cultures. The corporate acquisition of major photographic and film archives, as well as the digital rights to much of the worlds fine art, is having a profound effect on what we see. From stock photography to new technologies, this book powerfully engages with the historical and cultural issues relating to visual culture and new media. How has stock photography, the system of renting out ready-made images, transformed the role of marketing and advertising? What impact are digital technologies having on the practices of industry professionals? How have software programs such as Photoshop enabled professionals to play God with photographs and how does this influence our belief in the integrity of images? Combining original research on stock photography with a new theoretical take on the circulation of images in contemporary culture, The Image Factory provides a comprehensive and in-depth exploration of industrialized commercial photography, its uses and abuses.

Publisher Berg Publishers, 2003
ISBN 1859736424, 9781859736425
237 pages

publisher
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PDF (updated on 2013-6-19)

Patricia Pisters (ed.): Micropolitics of Media Culture: Reading the Rhizomes of Deleuze and Guattari (2001)

This book focuses on the micro-political implications of the work of Gilles Deleuze (and Félix Guattari). General philosophical articles are coupled to more specific analyses of films (such as Fight Club and Schindler’s List) and other expressions of contemporary culture. The choice of giving specific attention to the analyses of images and sounds is not only related to the fact that audiovisual products are increasingly dominant in contemporary life, but also to the fact that film culture in itself is changing (‘in transition’) in capitalist culture. From a marginal place at the periphery of economy and culture at large, audiovisual products (ranging from art to ads) seem to have moved to the centre of the network society, as Manuel Castells calls contemporary society. Typical Deleuzian concepts such as micro-politics, the Body without Organs, becoming-minoritarian, pragmatics and immanence are explored in their philosophical implications and political force, whether utopian or dystopian. What can we do with Deleuze in contemporary media culture? A recurring issue throughout the book is the relationship between theory and practice, to which several solutions and problems are given.

Publisher Amsterdam University Press, 2001
ISBN 9053564721, 9789053564721
302 pages

publisher
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PDF (no OCR; some pages missing; updated on 2012-11-4)

Félix Guattari: The Three Ecologies (1989–) [FR, PT, DE, EN]

Just as rare species are disappearing at an alarming rate, so whole areas of human thought, feeling and sensibility are becoming extinct through the power of an infantalizing mass media and the social exclusion of the old, the young and the unemployed. Extending the definition of ecology to encompass social relations and human subjectivity as well as environmental concerns, Guattari argues that the ecological crises that threaten our planet are the direct result of the expansion of a new form of capitalism and that a new ecosophical approach must be found which respects the differences between all living systems.

A powerful critique of capitalism and a manifesto for a new way of thinking, The Three Ecologies is also an ideal introduction to the work of one of Europe’s most radical thinkers. This edition of The Three Ecologies includes a chronology of Guattari’s life and work, introductions to both his general philosophy and to the work itself and extended notes to the original text.

French edition
Publisher Éditions Galilée, Paris, 1989
ISBN 2718603518
74 pages

English edition
Translation by Ian Pindar and Paul Sutton
Publisher Athlone Press, London, 2000
ISBN 0485004089, 9780485004083
174 pages

Google books (EN)

Les trois écologies (French, 1989, added on 2014-3-21)
As três ecologias (Portuguese, trans. Maria Cristina F. Bittencourt, 1990, updated on 2012-10-18)
Die drei Ökologien (German, trans. Alec A. Schaeret, 1994, added on 2016-4-27)
The Three Ecologies (English, trans. Ian Pindar and Paul Sutton, 2000, updated on 2012-10-18)