W. Ross Ashby journal (1928-1972)

On Monday, 7th May 1928, while a 24 year old medical student at Barts Hospital in London, Ross started writing a journal. In it he recorded his thoughts, theorems, and goals that would eventually bring him recognition as a pioneer in the fields of Cybernetics and Systems Theory. 44 years later, his journal had 7,400 pages, in 25 volumes.

In 1972, shortly after Ross died, Stafford Beer wrote in his condolence letter to Ross’s wife, Rosebud, “Look after Ross’s papers. I have no idea what should be done with them, but they are very precious.” — For the next 30 years, only members of his family had access to his journals.

Eventually, scans were made of all original archive material, and in January 2003, Ross’s daughters gave the whole archive to The British Library, in London. Then, in March 2004, at the end of the W. Ross Ashby Centenary Conference, his daughters announced that they would make Ross’s Journal available on the Internet. Now, in 2008, the digitally restored images of all 7,400 pages and 1,600 index cards are available on this web site in various views, with extensive cross-linking that is based on the keywords in Ross’s original alphabetical index.

Ross Ashby on Wikipedia

View online (HTML)
View online (Bookshelf view; HTML)
View online (Index view; HTML)
View online (Summaries view; HTML)
View online (Timeline view; HTML)

Jussi Parikka: Insect Media: An Archaeology of Animals and Technology (2010)

“Since the early nineteenth century, when entomologists first popularized the unique biological and behavioral characteristics of insects, technological innovators and theorists have proposed insects as templates for a wide range of technologies. In Insect Media, Jussi Parikka analyzes how insect forms of social organization—swarms, hives, webs, and distributed intelligence—have been used to structure modern media technologies and the network society, providing a radical new perspective on the interconnection of biology and technology.

Through close engagement with the pioneering work of insect ethologists, including Jakob von Uexküll and Karl von Frisch, posthumanist philosophers, media theorists, and contemporary filmmakers and artists, Parikka develops an insect theory of media, one that conceptualizes modern media as more than the products of individual human actors, social interests, or technological determinants. They are, rather, profoundly nonhuman phenomena that both draw on and mimic the alien lifeworlds of insects.

Deftly moving from the life sciences to digital technology, from popular culture to avant-garde art and architecture, and from philosophy to cybernetics and game theory, Parikka provides innovative conceptual tools for exploring the phenomena of network society and culture. Challenging anthropocentric approaches to contemporary science and culture, Insect Media reveals the possibilities that insects and other nonhuman animals offer for rethinking media, the conflation of biology and technology, and our understanding of, and interaction with, contemporary digital culture.”

Publisher University of Minnesota Press, 2010
Posthumanities Series 11
ISBN 0816667403, 9780816667406
320 pages

Review: Jennifer Gabrys (Mute).

PDF (updated on 2012-7-15)

Joasia Krysa (ed.): Curating Immateriality: The Work of the Curator in the Age of Network Systems (2006)

“The site of curatorial production has been expanded to include the space of the Internet and the focus of curatorial attention has been extended from the object to processes to dynamic network systems. As a result, curatorial work has become more widely distributed between multiple agents, including technological networks and software. This upgraded ‘operating system’ of art presents new possibilities of online curating that is collective and distributed — even to the extreme of a self-organising system that curates itself. The curator is part of this entire system but not central to it.

The subtitle of the book makes reference to the essay ‘The Work of Culture in the Age of Cybernetic Systems’ (1988), in which Bill Nichols considered how cybernetics transformed cultural production. He emphasised the shift from mechanical reproduction (symbolised by the camera) to that of cybernetic systems (symbolised by the computer) in relation to the political economy, and pointed to contradictory tendencies inherent in these systems: ‘the negative, currently dominant, tendency toward control, and the positive, more latent potential toward collectivity’. The book continues this general line of inquiry in relation to curating, and extends it by considering how power relations and control are expressed in the context of network systems and immateriality.

In relation to network systems, the emphasis remains on the democratic potential of technological change but also the emergence of what appears as more intensive forms of control. Can the same be said of curating in the context of distributed forms? If so, what does this imply for software curating beyond the rhetoric of free software and open systems?”

Contributors: 0100101110101101.ORG & [epidemiC] | Josephine Berry Slater | Geoff Cox | Alexander R. Galloway & Eugene Thacker | Olga Goriunova & Alexei Shulgin | Beryl Graham | Eva Grubinger | Piotr Krajewski | Jacob Lillemose | low-fi | Franziska Nori | Matteo Pasquinelli | Christiane Paul | Trebor Scholz | Grzesiek Sedek | Tiziana Terranova | Marina Vishmidt

Publisher Autonomedia/I-DAT, 2006
Creative Commons License
DATA browser series, 3
ISBN 1570271739
288 pages

Authors, (2)
Publisher

PDF (14 MB, added on 2018-3-29)
PDFs (updated on 2016-12-12)