Journal of Digital Humanities 1:1 (2012)
Filed under journal | Tags: · code, digital humanities, software, theory, writing
The Journal of Digital Humanities is a comprehensive, peer-reviewed, open access journal that features the best scholarship, tools, and conversations produced by the digital humanities community in the previous quarter.
The journal offers expanded coverage of the digital humanities by publishing scholarly work beyond the traditional research article, selecting content from open and public discussions in the field, and by encouraging continued discussion through peer-to-peer review.
Contributions by Tim Hitchcock, Trevor Owens, Scott Weingart, Chad Black, Marc Downie and Paul Kaiser, Jeremy Boggs, Alison Booth, Daniel J. Cohen, Mitchell S. Green, Anne Houston, and Stephen Ramsay, Nik Honeysett and Michael Edson, Fred Gibbs, Natalia Cecire, Benjamin M. Schmidt, William G. Thomas, Jean Bauer, Patrick Murray-John, Elijah Meeks, Tom Scheinfeldt and Ryan Shaw, Mark Sample, Alexis Lothian, Peter Bradley, Tim Sherratt, Moya Z. Bailey, Amy Earhart, Boone B. Gorges, Jeremy Boggs, David McClure, Eric Rochester, and Wayne Graham
Vol. 1, No. 1, Winter 2011
Editors: Daniel J. Cohen, Joan Fragaszy Troyano
Associate Editors: Sasha Hoffman, Jeri Wieringa
Publisher Roy Rosenzweig Center for History and New Media, April 2012
ISSN 2165-6673
more information (digitalhumanitiesnow.org)
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Julie E. Cohen: Configuring the Networked Self: Law, Code, and the Play of Everyday Practice (2012)
Filed under book | Tags: · code, copyright, everyday, internet, law, life, networks, piracy, play, privacy, security, self, surveillance
The legal and technical rules governing flows of information are out of balance, argues Julie E. Cohen in this original analysis of information law and policy. Flows of cultural and technical information are overly restricted, while flows of personal information often are not restricted at all. The author investigates the institutional forces shaping the emerging information society and the contradictions between those forces and the ways that people use information and information technologies in their everyday lives. She then proposes legal principles to ensure that people have ample room for cultural and material participation as well as greater control over the boundary conditions that govern flows of information to, from, and about them.
Publisher Yale University Press, 2012
ISBN 0300125437, 9780300125436
Printable version is under a Creative Commons Attribution NonCommercial ShareAlike license
352 pages
the author discussing her book (video)
Comment (0)GLI.TC/H 20111 Reader[r0r] (2012)
Filed under book | Tags: · art, code, code poetry, error, glitch, glitch art, glitch poetry, noise, signal processing, software
A selection of texts from authors and artists about digital decay, signal interruption, system collapse, and failure.
GLI.TC/H is a physical and virtual assembly of artists, hackers, moshers, dirty mediators, noise makers, circuit benders, p/h/i/l/o/s/o/p/h/e/r/s, and those who find wonder in that which others call broken.
GLI.TC/H is an annual international noise && [dirty] new-media event/conference/symposium/festival/gathering for makers and breakers.
With contributions by Tom McCormack, Curt Cloninger, Jon Satrom, Nick Briz, Rosa Menkman, Iman Moradi, Hannah Piper Burns, Evan Meaney, Channel TWo, Mez, Jon Cates, Matthew Fuller, JODI, Alexander Galloway, A Bill Miller, Laimonas Zakas, Iman Moradi
Editors: Nick Briz, Evan Meaney, Rosa Menkman, William Robertson, Jon Satrom, Jessica Westbrook
Publisher: Unsorted Books, February 2012
ISBN: 978-4-9905200-1-4
Copy<it>right license, copying/sharing is encouraged/appreciated
61 pages
authors
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