Tia DeNora: Music in Everyday Life (2000)

20 October 2009, dusan

The power of music to influence mood, create scenes, routines and occasions is widely recognised and this is reflected in a strand of social theory from Plato to Adorno that portrays music as an influence on character, social structure and action. There have, however, been few attempts to specify this power empirically and to provide theoretically grounded accounts of music’s structuring properties in everyday experience. Music in Everyday Life uses a series of ethnographic studies – an aerobics class, karaoke evenings, music therapy sessions and the use of background music in the retail sector – as well as in-depth interviews to show how music is a constitutive feature of human agency. Drawing together concepts from psychology, sociology and socio-linguistics it develops a theory of music’s active role in the construction of personal and social life and highlights the aesthetic dimension of social order and organisation in late modern societies.

• The first book to show how music is used in daily life as a structuring device • Novel in its application of recent perspectives from the sociology of technology and material culture • Develops recent concern with the aesthetic dimension of social action

Publisher Cambridge University Press, 2000
ISBN 052162732X, 9780521627320
181 pages

publisher
google books

PDF (updated on 2012-8-23)

Michel de Certeau: The Practice of Everyday Life, 2 vols. (1980–) [EN, PT, ES, CR]

12 August 2009, dusan

Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de Certeau draws brilliantly on an immense theoretical literature in analytic philosophy, linguistics, sociology, semiology, and anthropology–to speak of an apposite use of imaginative literature.

This social history of “making do” is based on microhistories that move from the private sphere (of dwelling, cooking, and homemaking) to the public (the experience of living in a neighborhood). The second volume of this magnum opus delves even deeper than did the first into the subtle tactics of resistance and private practices that make living a subversive art.

French edition
L’invention du quotidien, I, arts de faire, Gallimard, 1980
L’invention du quotidien, II, habiter, cuisiner, Gallimard, 1994

English edition
Translated by Steven Rendall
Publisher University of California Press, 1984
ISBN 0520236998, 9780520236998
229 pages

English edition, Volume 2: Living & Cooking
With Luce Giard and Pierre Mayol
Translated by Timothy J. Tomasik
University of Minnesota Press, 1998
ISBN 0816628777, 9780816628773
292 pages

Wikipedia (EN)
Publisher (EN, Vol. 1)
Publisher (EN, Vol. 2)
Google books (EN, Vol. 1)

The Practice of Everyday Life (English, trans. Steven Rendall, 1984, updated on 2013-9-28)
The Practice of Everyday Life, Vol. 2: Living and Cooking (English, trans. Timothy J. Tomasik, 1998, added on 2013-9-28)
A invenção do cotidiano (Portuguese, trans. Ephraim Ferreira Alves, Third edition, 1998, added on 2013-9-28)
La invención de lo cotidiano. 1 Artes de hacer (Spanish, trans. Alejandro Pescador, 2000, added on 2013-9-28)
La invención de lo cotidiano. 2 Habitar, cocinar (Spanish, trans. Alejandro Pescador, 1999, added on 2013-9-28)
Invencija svakodnevnice (Croatian, trans. Gordana Popovic, 2002, added on 2013-9-28)

Guy Debord: Society of the Spectacle (1967–) [FR, EN, NL, GR, DE, IT, ES, TR, BR-PT, RO, SR, HU, LT, PL, CZ]

23 June 2009, dusan

“The Das Kapital of the 20th century. An essential text, and the main theoretical work of the situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960’s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century.

Self-proclaimed leader of the Situationist International, Guy Debord was certainly responsible for the longevity and high profile of Situationist ideas, although the equation of the SI with Guy Debord would be misleading. Brilliant but autocratic, Debord helped both unify situationist praxis and destroy its expansion into areas not explicitly in line with his own ideas. His text The Society of the Spectacle remains today one of the great theoretical works on modern-day capital, cultural imperialism, and the role of mediation in social relationships.”

Publisher Buchet-Chastel, Paris, Nov 1967
175 pages

Wikipedia (EN)

La Société du Spectacle (French, 1967; HTML)
Society of the Spectacle (English, trans. Fredy Perlman and Jon Supak, 1970; HTML)
De spektakelmaatschappij (Dutch, trans. Jaap Kloosterman and René van de Kraats, 1976/2001, updated on 2019-11-8)
Η Κοινωνία του Θεάματος (Greek, trans. Panos Tsachageas and Nikos B. Alexiou, 1977, updated on 2019-11-8)
Die Gesellschaft des Spektakels (German, trans. Jean-Jacques Raspaud, 1978)
La societa dello spettacolo (Italian, trans. Paolo Salvadori, 1979)
Society of the Spectacle (English, trans. Donald Nicholson-Smith, 1994; HTML)
La sociedad del espectacul (Spanish, trans. Rodrigo Vicuña Navarro, 1995)
Gösteri toplumu ve yorumlar (Turkish, trans. Ayşen Ekmekçi and Okşan Taşkent, 1996, added on 2012-12-27)
A sociedade do espetaculo (BR-Portuguese, trans. Estela dos Santos Abreu, 1997)
Societatea spectacolului. Comentarii la societatea spectacolului (Romanian, trans. Ciprian Mihali and Radu Stoenescu, 1998)
La sociedad del espectacul (Spanish, trans. José Luis Pardo, 1999)
Η Κοινωνία του Θεάματος (Greek, trans. Sylvia, 2000, added on 2019-11-8)
Society of the Spectacle (English, trans. Ken Knabb, 2005; new ed., annotated, 2014, HTML, PDF, EPUB, added on 2019-11-12)
Društvo spektakla (Serbian, trans. Aleksa Golijanin, 2003/2012; HTML, added on 2017-7-27)
Spektákulum társadalma (Hungarian, trans. Miklós Erhardt, 2006, updated on 2019-11-8)
Spektaklio visuomenė (Lithuanian, 2006, added on 2019-11-8)
Społeczeństwo spektaklu oraz Rozważania o społeczeństwie spektaklu (Polish, trans. Mateusz Kwaterko, 2006, updated on 2019-11-8)
Společnost spektáklu (Czech, 2007, updated on 2019-7-21)
La sociedad del espectacul (Spanish, trans. Colectivo Maldeojo, 2009)
Societatea spectacolului (Romanian, trans. Cristina Săvoiu, 2011, added on 2015-11-29)