Octavio Kulesz: Digital Publishing in Developing Countries (2011) [English/French/Spanish]

19 October 2012, dusan

E-books, print on demand, online sales sites, the boom in mobile phones… new technologies are profoundly transforming the way texts circulate. Developing countries, however, which face serious limitations in infrastructure, have a considerable challenge ahead of them.

What new actors are emerging in the countries of the South, outside of the powerful platforms already existing in the US, Europe and Japan? Is it conceivable that there may be an autonomous evolution of digital publications in developing countries, entirely independent of the richest nations? What support policies could be implemented to promote the growth of this new industry and accompany traditional actors in the process of adapting to the changes involved?

The digital experiences undertaken in the South suggest that new technologies represent a great opportunity for developing countries – particularly in terms of diffusion –, but on the condition that local entrepreneurs seek out original models adapted to the concrete needs of their communities.

This study was carried out by Octavio Kulesz (Editorial Teseo and Digital Minds Network) in October 2010, and commissioned by the International Alliance of Independent Publishers, with the support of the Prince Claus Foundation.

ISBN 9782951974760 [EN]
156 pages
via Marcell Mars

publisher

Download PDF, EPUB, MOBI [English]
Download PDF, EPUB, MOBI [French]
Download PDF, EPUB, MOBI [Spanish]

Elizabeth Armstrong: Before Copyright. The French Book-Privilege System 1498-1526 (1990)

10 July 2012, dusan

“When printing first began, a new book automatically fell into the public domain upon publication. Only a special law or privilegium enacted by a competent authority could protect it from being reprinted without the consent of the author or publisher. Such privileges for books are attested before 1480, but in Germany and Italy their efficacy was limited to a relatively small area by the political fragmentation of the country. During the 1480s and 1490s France became one of Europe’s main centres of book production and, as competition intensified, privileges were sought there from 1498. Although privileges were to last as long as the Ancien Régime, the period to 1526 is the least-known stage of their development and the most important. Most privilege-holders printed the full text of their grant, and many others a summary.”

Publisher Cambridge University Press, 1990
ISBN 0521374081
344 pages

Publisher

PDF

Alessandro Ludovico: Post-Digital Print: The Mutation of Publishing Since 1894 (2012–) [EN, IT]

20 May 2012, dusan

“In the post-digital age, digital technology is no longer revolutionary but a normality, everywhere. For music or film, circulation as bits and bytes, downloads and streams are no longer a big deal. But for the world of book and magazine publishing, change has just begun.

New ways of networked and electronic publishing had been envisioned by avant-garde artists, activists and technologists for more than a century. Even though in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now become a reality. How will analog and digital coexist in the post-digital age of publishing? How will they transition, mix and cross over?

In this book, Alessandro Ludovico rereads the history of avant-garde arts as a prehistory of cutting through the opposites of paper and electronics. He covers, among others, artists’ books and manifests, zines, net art and experimental publishing projects, up to e-readers and print-on-demand.”

With Afterword by Florian Cramer
Publisher Creating 010, Hogeschool Rotterdam & Onomatopee, Eindhoven, May 2012
Onomatopee 77: Cabinet Project
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
ISBN 9789078454878, 9078454873
192 pages
via Florian Cramer

Interview with author: Teresa de Andrés (VisualMag, 2012).
Reviews: Franz Thalmair (Springerin, 2012), Regine Debatty (We Make Money Not Art, 2013), Rob Myers (Furtherfield, 2013), Paul Prudence (Neural, 2013), brnrd.net (2013), Kate Cunningham (Yapp, 2014), Eloïse Cariou (Critique d’art, 2016, FR), Benjamin Caraco (BBF, 2017, FR).

Book launch (Eindhoven, 2012)
Post Digital Print (series of activities around the publication, 2012)

Book website
Publisher (EN)
Publisher (IT, archived)
WorldCat (EN)
Wikipedia

Post-Digital Print (English, 2012, updated on 2012-5-31 to the latest version of the book, Internet Archive)
Post-digital print. La mutazione dell’editoria dal 1894 (Italian, trans. Alessandro Ludovico and Rosa Antonicelli Verrelli, 2014, added on 2020-6-3)