Ilya Kabakov: The 1960s and 1970s: Notes on Unofficial Life in Moscow (1999) [RU, EN]

A memoir, originally written in 1982 and 1986, by the Russian conceptual artist now living in the United States. “He belongs to the generation of underground (or nonconformist) artists that emerged with the liberalization of domestic policies in the Soviet Union in the 1960s during the Krushchev “thaw”. That generation formed a subculture in resistance to the ideological settings of “official art”, of Socialist Realism, as well as to Soviet ideology and the life style of ‘homo sovieticus’. This book is a memoir of the ‘underground years’ and offers a unique insider’s perspective on artistic life during a period of ‘prohibition’ through an exploration of the tension between totalitarian politics and resistance aesthetics.” (from a review by Volha Isakava)

60-е-70-е. записки о неофициальной жизни в Москве
Publisher Gesellschaft zur Förderung Slawistischer Studien, Vienna, 1999
Wiener Slawistischer Almanach. Sonderbände, 47
Digital edition by Otto Sagner, Munich, 2012
ISBN 9783954796380
267 pages

Conversation with Ilya and Emilia Kabakov (Anton Vidokle, e-flux, 2012, EN)

Reviews: Volha Isakava (Canadian Slavonic Papers, 2005, EN), Julianne Fürst (Kritika, 2013, EN).
Commentary: Keti Chukhrov (2010, EN).

Publisher

JPGs, PDF (RU)
PDF (8 MB, RU)
Short excerpt in English translation

Konstantin Akinsha: The Second Life of Soviet Photomontage, 1935-1980s (2012)

“This dissertation explores the development of Soviet photomontage from the second half of the 1930s to the end of the 1970s. Until now, the transformation of the modernist medium and its incorporation into the everyday practice of Soviet visual propaganda during and after the Second World War has not attracted much scholarly attention. The firm association of photomontage with the Russian avant-garde in general, and with Constructivism in particular, has led art historians to disregard the fact that the medium was practised in the USSR until the final days of the Soviet system. The conservative government organisations in control of propaganda preserved satirical photomontage in its post-Dadaist phase and Heartfield-like form, finding it useful in the production of negative propaganda.”

Doctor of Philosophy Dissertation
University of Edinburgh, 2012
328 pages + 368 pages of illustrations

Publisher
Author

PDF (29 MB)

Mikkel Bolt, Jakob Jakobsen (eds.): Cosmonauts of the Future: Texts from the Situationist Movement in Scandinavia and Elsewhere (2015)

“This is the first ever English-language anthology collecting texts and documents from the still little-known Scandinavian part of the Situationist movement.

The book covers over three decades of writing, from Asger Jorn’s Luck and Chance published in 1953, to the statements of the Situationist Antinational set up by Jens Jørgen Thorsen and J.V. Martin in 1974. The writings collected gravitate around the year 1962 when the Situationist movement went through it’s most dynamic and critical moments, and the disagreements about the relationship between art and politics came to a culmination, resulting in exclusions and the split of the Situationist International.

The Situationists did not win, and the almost forgotten Scandinavian fractions even less so. The book broadens the understanding of the Situationist movement by bringing into view the wild and unruly activities of the Scandinavian fractions of the organisation and the more artistic, experimental, and actionist attitude that characterised them. They did, nevertheless, constitute a decisive break with the ruling socio-economic order through their project of bringing into being new forms of life. Only an analysis of the multifaceted and often contradictory Situationist revolution will allow us to break away from the dull contemplation of yet another document of Debord’s archive or yet another drawing by Jorn.

There is a lot to be learned from the history of revolutionary failure. It is along these lines that this book points forward beyond the crisis-ridden capitalist order that survives today.”

Texts by Asger Jorn, Jørgen Nash, Jens Jørgen Thorsen, Bauhaus Situationniste, Jacqueline de Jong, Gordon Fazakerley, Gruppe SPUR, Dieter Kunzelman, J.V. Martin, and Guy Debord.

Translated by Peter Shield, James Manley, Anja Buchele, Matthew Hyland, Fabian Tompsett, and Jakob Jakobsen
Publisher Nebula, Copenhagen, in association with Autonomedia, New York, May 2015
This book can be freely pirated and quoted except for the texts covered by copyrights.
ISBN 9788799365180 (Nebula), 9781570273049 (Autonomedia)
304 pages

Publisher (Nebula)
Distributor (Minor Compositions)

PDF, PDF, PDF (2 MB)
Scribd

See also Bolt, Jakobsen (eds.), Expect Anything Fear Nothing: The Situationist Movement in Scandinavia and Elsewhere, 2011.
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