Seismograf/DMT contemporary art music magazine (2011–) [Danish]
Filed under journal | Tags: · art history, experimental music, field recording, music, music history, music theory, performance, radio, radio art, sound, sound art
Seismograf/DMT er et redaktionelt uafhængigt tidsskrift, der omhandler den nyeste kunst i lyddomænet og dens skabere – eksperimentel kunstmusik, lydkunst, performance, multimedia, interaktion og field recordings.
Tidsskriftet er en fusion af Dansk Musik Tidsskrift, Autograf og Seismograf, og tegner dermed Danmarks eneste platform fuldkommen dedikeret feltet ny kunstmusik og lydkunst.
Fra 2013 vil tidsskriftet endvidere publicere artikler, der er peer reviewed.
Sanne Krogh Groth er chefredaktør for tidsskriftet, der er støttet af Kunststyrelsens Musikudvalg og Dansk Komponistforening.
Publikationer: Japansk Lydkunst; Avantgarde i børnehøjde; Det du lysnar på hörs i P2; ’Touch Me! Fysisk – emotinelt – sensuelt’: Kritik af SPOR festival 2011; Musikhistorier; Urbanitet, lyd og kunst; Komponiststemmer; Instrumentmagere; Retro-utopier: Reportage fra CTM og Transmediale, 2013; Radio Radio Radio
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Comment (0)Andrey Smirnov: Sound in Z: Experiments in Sound and Electronic Music in Early 20th-century Russia (2013)
Filed under book | Tags: · 1910s, 1920s, 1930s, art, art history, avant-garde, bio-mechanics, electroacoustic music, electronic music, music, music history, musical instruments, russia, sound, sound art, soviet union, technology
“Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term “bio-mechanics”; Leon Theremin, inventor of the world’s first electronic instrument, the Theremin; and others whose dreams for electronic sound were cut short by Stalin’s regime. Drawing on materials from numerous Moscow archives, this book reconstructs Avraamov’s Symphony of Sirens, an open-air performance for factory whistles, foghorns and artillery fire first staged in 1922, explores Graphic Sound and recounts Theremin’s extraordinary career-compiling the first full account of Russian electronic music.”
Edited by Matt Price and David Rogerson
Foreword by Jeremy Deller
Publisher Koenig Books, London, in partnership with Sound and Music, London, 2013
ISBN 3865607063, 9783865607065
281 pages
Talk by the author (audio, 90 min, 2012)
Interview with author: Nathan Budzinski (video, The Wire, 2013).
Exh. review: Daniele Balit (The Wire, 2009).
Reviews: Agata Pyzik (Calvert Journal, 2013), Colin McSwiggen (n+1, 2013), Alessandro Ludovico (Neural, 2013), Jacob Gotlib (Computer Music Journal, 2014), Thomas Patteson (Current Musicology, 2017).
PDF, PDF (14 MB, updated on 2020-11-1)
Comments (13)Journal of Sonic Studies, Vol. 4: Towards New Sonic Epistemologies (2013)
Filed under journal | Tags: · epistemology, ethnography, ontology, sonic materialism, sound, sound art, sound studies
The current issue of the Journal of Sonic Studies theorizes more fundamentally on the epistemologies, methodologies and ontologies of sound studies.
With contributions by Barry Truax, Katharine Norman, J. Milo Taylor, Carlos Alves, Xabier Erkizia, Julien Ottavi, Wajid Yaseen, Marinos Koutsomichalis, Budhaditya Chattopadhyay, Maarten Walraven, Walter Gershon, Justin Patch, Holger Schulze, Florian Hollerweger, Michelle Lewis-King, Axel Volmar,
Issue Editors: Marcel Cobussen, Holger Schulze, Vincent Meelberg
Publisher Leiden University Press, May 2013
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