Éric Alliez, Andrew Goffey (eds.): Guattari Effect (2011)

“The Guattari Effect brings together internationally renowned experts on the work of the French psychoanalyst, philosopher and political activist Félix Guattari with philosophers, psychoanalysts, sociologists, anthropologists and artists who have been influenced by Guattari’s thought.

Best known for his collaborative work with Gilles Deleuze, Guattari’s own writings are still a relatively unmined resource in continental philosophy. Many of his books have not yet been translated into English. Yet his influence has been considerable and far-reaching. This book explores the full spectrum of Guattari’s work, reassessing its contemporary significance and giving due weight to his highly innovative contributions to a variety of fields, including linguistics, economics, pragmatics, ecology, aesthetics and media theory. Readers grappling with the ideas of contemporary continental philosophers such as Badiou, Žižek and Rancière will at last be able to see Guattari as the ‘extraordinary philosopher’ Deleuze claimed him to be, with his distinctive radical ideas about the epoch of global ‘deterritorialization’ we live in today, forged within the practical contexts of revolutionary politics and the materialist critique of psychoanalysis.”

Publisher Continuum, 2011
ISBN 1441121978, 9781441121974
224 pages

Publisher

PDF (updated on 2012-7-15)
Academia.edu (added on 2016-3-11)

Félix Guattari: Chaosmosis: An Ethico-Aesthetic Paradigm (1992–) [PT, EN, ES, IT]

Guattari’s final book is a succinct summary of his socio-philosophical outlook. It includes critical reflections on Lacanian psychoanalysis, structuralism, information theory, postmodernism, and the thought of Heidegger, Bakhtin, Barthes, and others.

Originally published in French as Chaosmose, Editions Galilee, Paris, 1992.

English edition
Translated by Paul Bains and Julian Pefanis
Publisher Indiana University Press, 1995
ISBN 0253210046, 9780253210043
144 pages

publisher (EN)
google books (EN)

Caosmose (Portuguese, trans. Ana Lúcia de Oliveira and Lúcia Cláudia Leão, 1992, added on 2013-9-26)
Chaosmosis (English, trans. Paul Bains and Julian Pefanis, 1995, updated on 2015-3-26)
Caosmosis (Spanish, trans. Irene Agoff, 1996, added on 2013-1-5)
Caosmosi (Italian, trans. Massimiliano Guareschi, 1996, no OCR, added on 2013-1-5)

Jean-François Lyotard: Discourse, Figure (1971/2011)

“Discourse, Figure is Lyotard’s thesis. Provoked in part by Lacan’s influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently opaque signs, certain aspects of artistic meaning such as symbols and the pictorial richness of painting will always be beyond reason’s grasp.

A wide-ranging and highly unusual work, Discourse, Figure proceeds from an attentive consideration of the phenomenology of experience to an ambitious meditation on the psychoanalytic account of the subject of experience, structured by the confrontation between phenomenology and psychoanalysis as contending frames within which to think the materialism of consciousness. In addition to prefiguring many of Lyotard’s later concerns, Discourse, Figure captures Lyotard’s passionate engagement with topics beyond phenomenology and psychoanalysis to structuralism, semiotics, poetry, art, and the philosophy of language.”

Originally published in French as Discours, figure by Klincksieck, 1971

Translated by Antony Hudek and Mary Lydon
Introduction by John Mowitt
Publisher University of Minnesota Press, 2011
Cultural Critique Books
ISBN 0816645655, 9780816645657
512 pages

Publisher

PDF (updated on 2012-11-4)