Carsten Nicolai: Anti-Reflex, catalogue (2005) [English/German]
Filed under catalogue | Tags: · art, art and science, installation art, sound art, sound recording, technology

“Carsten Nicolai is considered today to be one of the most important representatives of a generation of artists who focus on exploring the points of intersection between art, nature, and science. As a visual artist, researcher, producer, and organizer of concert events combined in one person, Nicolai seeks to overcome the division among the senses in human perception and to make it possible to experience natural phenomena like the frequencies of sound and light or electromagnetic fields with the eyes as well as by hearing and touch. His installations radiate a minimalist aesthetics that captivates the viewer with its elegance, simplicity, and emphasis on technology. Following his participation in important international exhibitions like the Kassel documenta and the Venice Biennial, the Schirn Kunsthalle presented the first major survey, for which the artist produced a series of new works.” (from curator)
With texts by Magnus Haglund and Yuko Hasegawa.
Curated, edited and with foreword by Max Hollein
Publisher Schirn Kunsthalle Frankfurt, with Verlag der Buchhandlung Walther Koenig, Cologne, 2005
ISBN 3883758914, 9783883758916
200 pages
exhibition & publisher
co-publisher
google books
Rasa Smite: Creative Networks: In the Rearview Mirror of Eastern European History (2011/2012)
Filed under book | Tags: · actor-network theory, cyberfeminism, eastern europe, internet, internet art, internet culture, latvia, media art, net art, network culture, networks, sound art, virtual communities

“Creative Networks explores the dawn of the Internet culture in the age of network society from the perspective of Eastern Europe. From a theoretical angle the networks are introduced and interpreted as complex socio-technical systems. The author analyzes the development of these networked self-organized formations starting off with ‘virtual communities’ of ‘creative networks’, which emerged during the early phase of the Internet, up to the phenomena of today’s online ‘social networks’. Along with the translocal case studies of Nettime, Syndicate, Faces and Xchange networks (as well as with the other important facets of the 1990s network culture in Europe), the author studies also local community networking case of alternative and digital culture that evolved around E-Lab in the 1990s in Latvia. By focusing primarily on the network culture of 1990s, this study reflects those changes in the social structure of today’s society that are occurring under the process of socio-technical transformation.
The book is based on a dissertation by Rasa Smite, with the title Creative Network Communities and was defended in Riga Stradins University, February 2011.”
First published in Latvian in Riga: RIXC and Liepaja: LiepU MPLab, 2011.
Translated by Linda Vebere
Publisher Institute of Network Cultures, Amsterdam 2012
Creative Commons Attribution Noncommercial No Derivative Works 3.0 Netherlands License
ISBN 9789081857505
160 pages
Review: Piibe Piirma (Baltic Screen Media Review, 2014).
PDF (updated on 2023-9-27)
Comment (0)Synapse: The Electronic Music Magazine (1976-1979)
Filed under magazine | Tags: · computer music, computing, electroacoustic music, electronic music, music, sound art, sound recording, sound synthesis



Synapse: The Electronic Music Magazine (later Synapse: International Electronic Music) was a bi-monthly American magazine about synthesizers and electronic music published March 1976 to June 1979. During an era when commercial synthesizers were still pretty new and mostly DIY, Synapse was notable for its high production values, interviews with famous musicians, and articles by well-known writers.
The production team consisted of editor Douglas Lynner, art director Chris August, photographer Bill Matthias and managing editors Colin Gardner and Melodie Bryant. After 14 issues they ran out of money and closed down.
The magazine issues have been scanned and posted online by its founder Cynthia Webster at Cyndustries.
Volume 1, Number 2, April/May 1976 (added on 2019-8-11 via diophantine.net HT Ezra J. Teboul)
Volume 1, Number 3, September/October 1976
Volume 1, Number 4, November/December 1976
Volume 1, Number 5, January/February 1977
Volume 1, Number 6, March/April 1977
Volume 2, Number 1, May/June 1977
Volume 2, Number 2, July/August 1977
Volume 2, Number 3, November/December 1977
Volume 2, Number 4, January/February 1978
Volume 2, Number 5, March/April 1978
Volume 2, Number 6, Summer 1978
Volume 3, Number 1, January/February 1979
Volume 3, Number 2, Summer 1979
GIFs (on Cyndustries.com, via Internet Archive)