Vanessa Place, Robert Fitterman: Notes on Conceptualisms (2009)

4 November 2014, dusan

“What is conceptual writing, how does it differ from Conceptual Art, what are some of the dominant forms of conceptualism, where does an impure or hybrid conceptualism fit in, what about the baroque, what about the prosody of procedure, what are the links between appropriation and conceptual writing, how does conceptual writing rely on a new way of reading, a “thinkership” that can shift the focus away from the text and onto the concept, what is the relationship between conceptual writing and technology or information culture, and why has this tendency taken hold in the poetry community now? What follows, then, is a collection of notes, aphorisms, quotes and inquiries on conceptual writing. We have co-authored this text through correspondence, shared reading interests, and similar explorations. Notes on Conceptualisms is far from a definitive text, and much closer to a primer, a purposefully incomplete starting place, where readers, hopefully, can enter so as to participate.”

Publisher Ugly Duckling Presse, Brooklyn, NY, 2009
Open Access
ISBN 9781933254463
78 pages

Commentary: Ron Silliman (2009).
Reviews: Thom Donovan (BOMB, 2009), Christopher Higgs (Chapbook Review, 2009), Karla Kelsey (Octopus Magazine, c2010), Ken L. Walker (Coldfront, 2010), John Bloomberg-Rissman (Galatea Resurrects 16, 2011), Alethia Alfonso (Notas, 2011, ES), Joel Kopplin & Kurt Milberger (HTML Giant, 2013).
Dialogue between Vanessa Place and Tania Ørum (Jacket2, 2012)

Publisher
WorldCat

PDF, PDF

Jimmie Durham: A Certain Lack of Coherence: Writings on Art and Cultural Politics (1993)

22 October 2014, dusan

A collection of writings by the American Indian Movement activist, poet and contemporary artist.

“In 50 articles, reviews, polemics and poems, Durham attacks the bases of the US nation-state, its cowboys’n’indians foundation myths, its commercialisation of Indian wisdom, and the very impossibility of speaking about the Indian experience in English. For a people so massively colonised, victims of an ongoing genocide, art is no luxury. It is the necessarily tricky, duplicitous practice of the Coyote, revealing over and over again the ignorance of power and celebrating its own escapades and escapes.” (from a review by Sean Cubitt, Frieze, 1994)

Edited by Jean Fisher
Publisher Kala Press, London, 1993
ISBN 0947753044, 9780947753047
255 pages
via x

Review: Tony Godfrey (Art Book 1994).

WorldCat

PDF (15 MB, no OCR)
ARG

Aristotle: Poetics (c347-335 BCE–)

24 September 2014, dusan

Aristotle’s Poetics is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory.

The Monoskop wiki hosts passages from the Poetics selected to highlight the ambiguity of the terms central to theory of art and literature, particularly poiêsis, mimêsis and technê (in two Greek versions and three English translations), and an annotated source bibliography of editions and translations of this work into various languages.

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