Peter Gay: Weimar Culture: The Outsider As Insider (1968–) [EN, CR]

First published in 1968, Weimar Culture is one of the masterworks of Peter Gay’s career. A study of German culture between the two wars, the book brilliantly traces the rise of the artistic, literary, and musical culture that bloomed ever so briefly in the 1920s amid the chaos of Germany’s tenuous post-World War I democracy, and crashed violently in the wake of Hitler’s rise to power. Despite the ephemeral nature of the Weimar democracy, the influence of its culture was profound and far-reaching, ushering in a modern sensibility in the arts that dominated Western culture for most of the twentieth century.

First published by Harper & Row, New York, 1968.
Publisher W. W. Norton, 2001
ISBN 0393322394, 9780393322392
205 pages
via chef

Review (Walter Laquer, The New York Times Books, 1968)
Review (Elizabeth Wiskemann, The Spectator, 1969)
Review (Sterling Fishman, History of Education Quarterly, 1970)

Publisher

Weimar Culture: The Outsider As Insider (English, 1968/2001, EPUB)
Weimarksa kultura: Isključenik kao uključenik (Croatian, trans. Danja Šilović-Karić, 1999, added on 2014-8-3)

Kenneth Goldsmith in Conversation (2014)

“What is uncreative writing? What can writing learn from visual art? How does one write through art and culture? What is language and how should one speak (of) it in this digital age? How have the current technological developments shaped the contemporary scene and sense of poetics, aesthetics, and poetry pedagogy? What is conceptual writing and its relation to the international avant-garde movement? And after all, what is poetry? These are some of the questions addressed by Kenneth Goldsmith in the interview with Francisco Roman Guevara. This discussion – candid and provocative – is a helpful introduction to the ideas of a most significant “writerly” voice in the contemporary space of literary and cultural studies.”

With Francisco Roman Guevara
Publisher De La Salle University Publishing House, Manila, 2014
Critics in Conversation series
ISBN 9789715555968
50 pages

Publisher

PDF

Julia Vaingurt: Wonderlands of the Avant-Garde: Technology and the Arts in Russia of the 1920s (2013)

“In postrevolutionary Russia, as the Soviet government was initiating a program of rapid industrialization, avant-garde artists declared their intent to serve the nascent state and to transform life in accordance with their aesthetic designs. In spite of their professed utilitarianism, however, most avant-gardists created works that can hardly be regarded as practical instruments of societal transformation. Exploring this paradox, Vaingurt claims that the artists’ investment of technology with aesthetics prevented their creations from being fully conscripted into the arsenal of political hegemony. The purposes of avant-garde technologies, she contends, are contemplative rather than constructive. Looking at Meyerhold’s theater, Tatlin’s and Khlebnikov’s architectural designs, Mayakovsky’s writings, and other works from the period, Vaingurt offers an innovative reading of an exceptionally complex moment in the formation of Soviet culture.”

Publisher Northwestern University Press, 2013
SRLT series
ISBN 0810128942, 9780810128941
322 pages
via Sorin

Review: Boris Dralyuk (NEP, 2013), Tim Harte (Slavic Review, 2014).

Publisher

PDF (updated on 2022-11-12)

See also the science-fiction film Aelita, Queen of Mars, dir. Yakov Protazanov, 1924, 111 min, based on Tolstoy’s novel.