David F. Kuhns: German Expressionist Theatre: The Actor and the Stage (1997)
Filed under book | Tags: · 1910s, 1920s, avant-garde, cabaret, expressionism, germany, performance, theatre
“German Expressionist Theatre considers the powerfully stylized, antirealistic styles of symbolic acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. The examination of portions of previously untranslated Expressionist scripts and actor memoirs allows for an unprecedented focus on description and analysis of the acting itself.
– Examines German Expressionist theatre from a performance point of view
– Contains previously untranslated portions of Expressionist scripts and actor memoirs
– Looks in detail at key works and productions”
Publisher Cambridge University Press, 1997
ISBN 0521583403, 9780521583404
311 pages
via Charles Turner
review (Anne M. Turner, Journal of Dramatic Theory and Criticism)
Comment (0)Tomáš Pospiszyl, Eric Rosenzveig (eds.): CAS: What is it? (2013) [English/Czech]
Filed under book | Tags: · art, art education, cinema, documentary film, film, installation art, media art, performance, photography, video
Publication documents the activities of the Center for Audio Visual Studies (CAS) at FAMU in Prague, founded in 2005. Featuring 30 works by the CAS students and alumni as well as texts by the teachers Helena Bendová, Martin Blažíček, Miroslav Petříček, Tomáš Pospiszyl, Eric Rosenzveig and Miloš Vojtěchovský
Publikace CAS: Co to je? není výstavním katalogem ani sborníkem z odborné konference. Pohybuje se někde mezi, podobně jako je mezioborové studium v Centru audiovizuálních studií FAMU. Jádrem publikace jsou dokumentace různorodých projektů dnes už třicítky studentů či absolventů CAS, ale i práce jejich učitelů. Do knihy například přispěl filozof Miroslav Petříček, ale je tu i dystopická sci-fi povídka. Najdeme tu analýzu studentských filmů od filmové historičky Heleny Bendové, ale i dokumentace a anotace samotných děl. Ty se pohybují na široké škále od dokumentárních filmů, interaktivních instalací, on-line projektů, živých performancí po street artové intervence do veřejného prostoru. Z pedagogů CAS do knihy dále přispěli Martin Blažíček, Tomáš Pospiszyl, Eric Rosenzveig a Miloš Vojtěchovský.
Publisher Academy of Performing Arts in Prague, 2013
ISBN 9788073312657
332 pages
book launch (Prague, 16 April 2013)
publisher
Jan Cohen-Cruz (ed.): Radical Street Performance: An International Anthology (1998)
Filed under book | Tags: · activism, agitprop, art, art criticism, audience, circus, direct action, guerrilla theatre, performance, performance art, politics, puppetry, street theatre, theatre, women
“Radical Street Performance is the first volume to collect together the writings by activists, directors, performers, critics, scholars and journalists who have documented street theatre around the world.
More than thirty essays explore agit-prop, invisible theatre, demonstrations and rallies, direct action, puppetry, parades and pageants, performance art, guerrilla theatre, circuses.
These essays look at performances in Europe, Africa, China, India and both the Americas. They describe engagement with issues as diverse as abortion, colonialism, the environment and homophobia, to name only a few. Introduced by editor Jan Cohen-Cruz, the essays are organized into thematic sections: Agitating; Witnessing; Involving; Imagining; and Popularizing.”
Publisher Routledge, 1998
Performance Theory series
ISBN 0415152313, 9780415152310
302 pages
PDF (no OCR)
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