Friedrich Kittler: The Truth of the Technological World: Essays on the Genealogy of Presence (2013–) [DE, EN]

“Few German scholars in the past 50 years have had such a lasting impact on the cultural situation of our time, including its academic institutions, as Friedrich Kittler. It is in large part due to his writings that the radio, the gramophone, and the computer are not just objects of cultural fascination, but also of philosophical reflection.

This volume contains a collection of essays written by Kittler over the course of 40 years which serve as a testament to the enormous breadth, intensity, and the singular creativity of his thought.”

German edition
Edited and with an Afterword by Hans Ulrich Gumbrecht
Publisher Suhrkamp, Berlin, 2013
ISBN 9783518732984
432 pages

English edition
Translated by Erik Butler
Publisher Stanford University Press, 2014
ISBN 9780804792622
400 pages

Reviews: Oliver Jahraus (zfm, 2014), Stavros Arabatzis (Weimarer Beiträge, 2014).

Publisher (DE)
Publisher (EN)
Worldcat (DE)
Worldcat (EN)

Die Wahrheit der technischen Welt (German, EPUB, updated on 2019-11-2)
The Truth of the Technological World (English, updated on 2019-11-2)

Eccentric Manifesto (1922/1992)

“The ‘Depot of Eccentrics’ which on the 9th July 1922 published The Eccentric Manifesto–a pamphlet ‘the size of an ordinary letter’–proved an ephemeral collaboration. In the words of subsequent critics, ‘difference of opinion’, ‘stern criticism’ caused its dissolution soon after The Factory of Eccentric Actor’s first productions–a stage version of Gogol’s The Wedding (1922) and a Cocteau inspired piece in three acts, Foreign Trade on the Eiffel Tower (1923).

A great rarity, the manifesto itself does not seem to have been any more influential than the ‘depot’ which published it. Containing four articles–by Leonid Trauberg, Grigori Kozintsev, Sergei Yutkevich and professional gambler Georgii Kryzhitskii–its post-civil war Petrograd print issue was limited to 1000 copies. Of these ‘a majority’ were entrusted by Yutkevich to Pravda critic Khrisanf Khersonsky to spread around Moscow ‘using his contacts’. Sales went badly however and the whole stock was dumped in Khersonsky’s basement where, when the house caught fire, it was ‘completely destroyed.’

[…] Kozintsev and Trauberg later made the film New Babylon (1929), subtitled “Assault on the Heavens–episodes from the Franco Prussian War and the Paris Commune 1870-71”, based less on Karl Marx than on the history of the Paris Commune written by P.O. Lissagaray. [The screenings were accompanied with an ensemble playing a score by Dmitri Shostakovich]. … In later years Shostakovich was to claim that ‘my troubles on the political front began with New Babylon.'” (from the Introduction)

First published in Russian in St Petersburg, 1922
Translated and with an Introduction by Marek Pytel
Cover by Clifford Harper
Publisher Eccentric Press, London, 1992
22 pages
via Reality

Entry on Factory of Eccentricity in Saint Petersburg Encyclopedia (in English)

Publisher

PDF (lo-res), GIF images
Title page of Russian edition

Kaja Silverman, Harun Farocki: Speaking about Godard (1998)

“Combining the insights of a feminist film theorist with those of an avant-garde filmmaker, these eight dialogues-each representing a different period of Godard’s film production, beginning with My Life to Live (1962) and ending with New Wave (1990), get at the very heart of his formal and theoretical innovations, teasing out, with probity and grace, the ways in which image and text inform one another throughout Godard’s oeuvre. Indeed, the dialogic format here serves as the perfect means of capturing the rhythm of Godard’s ongoing conversation with his own medium, in addition to shedding light on how a critic and a director of films respectively interpret his work.”

With a Foreword by Constance Penley
Publisher New York University Press, 1998
ISBN 0814780660, 9780814780664
260 pages

Publisher
WorldCat

PDF (added on 2025-1-15)
EPUB (added on 2019-12-16)

See also Farocki’s filmography and bibliography on Monoskop.