Ed Keller, Nicola Masciandaro, Eugene Thacker (eds.): Leper Creativity: Cyclonopedia Symposium (2012)

Essays, articles, artworks, and documents taken from and inspired by the symposium on Reza Negarestani’s Cyclonopedia: Complicity with Anonymous Materials, which took place on 11 March 2011 at The New School. Hailed by novelists, philosophers, artists, cinematographers, and designers, Cyclonopedia is a key work in the emerging domains of speculative realism and theory-fiction. The text has attracted a wide-ranging and interdisciplinary audience, provoking vital debate around the relationship between philosophy, geopolitics, geophysics, and art. At once a work of speculative theology, a political samizdat, and a philosophic grimoire, Cyclonopedia is a Deleuzo-Lovecraftian middle-eastern Odyssey populated by archeologists, jihadis, oil smugglers, Delta Force officers, heresiarchs, and the corpses of ancient gods. Playing out the book’s own theory of creativity – “a confusion in which no straight line can be traced or drawn between creator and created – original inauthenticity” – this multidimensional collection both faithfully interprets the text and realizes it as a loving, perforated host of fresh heresies. The volume includes an incisive contribution from the author explicating a key figure of the novel: the cyclone.

With contributions by Robin Mackay, McKenzie Wark, Benjamin H. Bratton, Alisa Andrasek, Zach Blas, Melanie Doherty, Anthony Sciscione, Kate Marshall, Alexander R. Galloway, Eugene Thacker, Nicola Masciandaro, Dan Mellamphy & Nandita Biswas Mellamphy, Ben Woodard, Ed Keller, Lionel Maunz, Öykü Tekten, Reza Negarestani

Publisher Punctum Books, Brooklyn, New York, February 2012
ISBN 978-0615600468
Creative Commons Attribution-NonCommerical-NoDerivs 3.0 Unported License
310 pages

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Gabrielle Hecht (ed.): Entangled Geographies: Empire and Technopolitics in the Global Cold War (2011)

“The Cold War was not simply a duel of superpowers. It took place not just in Washington and Moscow but also in the social and political arenas of geographically far-flung countries emerging from colonial rule. Moreover, Cold War tensions were manifest not only in global political disputes but also in struggles over technology. Technological systems and expertise offered a powerful way to shape countries politically, economically, socially, and culturally. Entangled Geographies explores how Cold War politics, imperialism, and postcolonial nation building became entangled in technologies and considers the legacies of those entanglements for today’s globalized world.

The essays address such topics as the islands and atolls taken over for military and technological purposes by the supposedly non-imperial United States, apartheid-era South Africa’s efforts to achieve international legitimacy as a nuclear nation, international technical assistance and Cold War politics, the Saudi irrigation system that spurred a Shi’i rebellion, and the momentary technopolitics of emergency as practiced by Medecins sans Frontières.

The contributors to Entangled Geographies offer insights from the anthropology and history of development, from diplomatic history, and from science and technology studies. The book represents a unique synthesis of these three disciplines, providing new perspectives on the global Cold War.”

Publisher MIT Press, 2011
Inside Technology series
ISBN 0262515784, 9780262515788
336 pages

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Continental Drift Zagreb (2008)

“It’s always useful to turn dreams into realities, because you get to measure the differences and even let yourselves be guided by the intrinsic gaps between the two. Continental Drift was the dream of a geopolitical analysis carried out by a diverse group (theorists, artists, activists) and mapped onto everyday social and political life as an expanding set of explanations and expressive potentials. The dream was made in USA, and even on Wall Street in New York City, but it was realized by a group of immigrants, returning exiles and general misfits, all marked by the basic heresy of left positions in an age of liberal capitalist empire. By transplanting this inquiry to Zagreb, Croatia – the home of the What, How & For Whom? collective – it seems we are bringing a new dream into focus. The desire is that of widening the intrepretative circle, crossing divides of language and historical experience, trying to build capacities of understanding and confrontation between the immigrants, exiles and misfits of the big continental blocs and especially their edges – the cracks that open up wherever anyone can no longer stand what is taken and imposed as the norm. Empire as we see it is always falling apart, for better and usually for worse, under the pressure of massive processes which we are unlikely to even see coming, let alone grasp or have the agency to change in any way. Yet as the urgency and also the absurdity of the present predicament begins to rise in intensity, at least all around there are people trying similar experiments.” (Brian Holmes)

Novine Galerije Nova, No 15, May 2008
Publishers: What, How and for Whom/WHW, Zagreb; AGM, Zagreb
Editors: Continental Drift Zagreb team (Ayreen Anastas, Rene Gabri, Brian Holmes, Claire Pentecost, What, How and for Whom/WHW, Ivet Ćurlin, Ana Dević, Nataša Ilić, Sabina Sabolović)
Design: Dejan Kršić
36 pages

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