Robert Smithson: The Collected Writings (1979/1996)
Filed under book | Tags: · art, art criticism, art theory, earth, ecology, entropy, land art, landscape, language, mapping, monument, non-place, time
“Since the 1979 publication of The Writings of Robert Smithson, Robert Smithson’s significance as a spokesman for a generation of artists has been widely acknowledged and the importance of his thinking to contemporary artists and art critics continues to grow. In addition to a new introduction by Jack Flam, The Collected Writings includes previously unpublished essays by Smithson and gathers hard-to-find articles, interviews, and photographs. Together these provide a full picture of his wide-ranging views on art and culture.”
First published as The Writings of Robert Smithson, New York University Press, 1979.
Revised and Expanded edition
Edited, with an Introduction by Jack Flam
Publisher University of California Press, 1996
ISBN 0520203852, 9780520203853
385 pages
via dhr
PDF (62 MB, no OCR)
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Donald Judd: Complete Writings, 1959-1975: Gallery Reviews, Book Reviews, Articles, Letters to the Editor, Reports, Statements, Complaints (1975)
Filed under book | Tags: · 1960s, 1970s, abstract expressionism, art, art criticism, minimal art
Originally published in 1975, this collection of Donald Judd’s writings is now a sought-after classic. His uncompromising reviews avoid the familiar generalizations so often associated with the styles of emerging during the 1950s and 60s. This book is not a mere survey of the art produced and exhibited during that period. Instead, Judd discusses in detail the work of more than five hundred artists showing in New York at that time and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 “Specific Objects” essay, a discussion of sculptural thought in the 60s, is included alongside the notorious polemical essay “Imperialism, Nationalism, Regionalism” (1975). Three hundred reproductions as well as an extensive index accompany the text.
Publisher Press of the Nova Scotia College of Art and Design, Halifax, 1975
Nova Scotia series
ISBN 0919616070, 9780919616073
229 pages
Download (removed on 2013-4-3 upon request of the publisher)
Comment (0)Jan Cohen-Cruz (ed.): Radical Street Performance: An International Anthology (1998)
Filed under book | Tags: · activism, agitprop, art, art criticism, audience, circus, direct action, guerrilla theatre, performance, performance art, politics, puppetry, street theatre, theatre, women
“Radical Street Performance is the first volume to collect together the writings by activists, directors, performers, critics, scholars and journalists who have documented street theatre around the world.
More than thirty essays explore agit-prop, invisible theatre, demonstrations and rallies, direct action, puppetry, parades and pageants, performance art, guerrilla theatre, circuses.
These essays look at performances in Europe, Africa, China, India and both the Americas. They describe engagement with issues as diverse as abortion, colonialism, the environment and homophobia, to name only a few. Introduced by editor Jan Cohen-Cruz, the essays are organized into thematic sections: Agitating; Witnessing; Involving; Imagining; and Popularizing.”
Publisher Routledge, 1998
Performance Theory series
ISBN 0415152313, 9780415152310
302 pages
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