Marie-Luise Angerer: Ecology of Affect: Intensive Milieus and Contingent Encounters (2017) [German, English]

“The way we conceive the human today is particularly affected by the shifts in media technology during the 20th century. Affect emerges as the new liminal concept that renders the body compatible in novel ways with the technology and politics of media. By ways of a relational reorganization the organic end technological life is condensed in a new, intense way to an ecology of affects.”

English edition
Translated by Gerrit Jackson
Preface by Felicity Colman
Publisher meson.press, Lüneburg, Apr 2017
Creative Commons BY-SA 4.0 International License
ISBN 9783957960955
68 pages

Publisher (DE)
Publisher (EN)

Ecology of Affect: Intensive Milieus and Contingent Encounters: PDF, PDF
Affektökologie: Intensive Milieus und zufällige Begegnungen: PDF, PDF

Glass Bead, 1: Site 0: Castalia, the Game of Ends and Means (2016) [English/French]

“The first issue of this journal, as well as Glass Bead’s project at large, is directed towards rethinking art as a mode of rational thought. It starts from the assumption that any claim concerning the efficacy of art—its capacity, beyond either its representational function or its affectivity, to make changes in the way we think of the world and act on it—first demands a renewed understanding of reason itself.

The site on which this issue focuses is Castalia, the fictional province imagined by Hermann Hesse in The Glass Bead Game (1943). Set in Central Europe some five hundred years in the future, Castalia hosts a peculiar society entirely dedicated to the pursuit of pure knowledge. Mobilising Castalia as an equivocal image, at once archetype of modern universalism and fortress delegitimized by its own enclosure, the aim of this issue is to revisit and transform the Castalian model for the unification of reason.

Site 0: Castalia, the game of ends and means is structured around partially overlapping charts. These charts are meant to figure specific routes drawn in the site by the contributors to this issue.”

With contributions by Peter Wolfendale, Guerino Mazzola, Andrée Ehresmann, Mathias Béjean, Ray Brassier, Gabriel Catren, Anselm Franke, Benedict Singleton, Keller Easterling, Giuseppe Longo, Martin Holbraad, Eduardo Viveiros de Castro, Tristan Garcia, Fernando Zalamea, Deneb Kozikoski Valereto, Olivia Caramello, Tarek Atoui, Linda Henderson, Freeman Dyson, Alex Williams, Holly Herndon, Mat Dryhurst, Laboria Cuboniks, and Amanda Beech.

Edited by Fabien Giraud, Jeremy Lecomte, Vincent Normand, Ida Soulard, and Inigo Wilkins
Publisher Glass Bead, February 2016

HTML, PDFs (English)
HTML, PDFs (French)
single PDF (English, 16 MB, updated on 2017-12-6)
See also Issue 2

Stamatia Portanova: Moving without a Body: Digital Philosophy and Choreographic Thoughts (2013)

“Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software’s capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become.

Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think—rather than just perform or perceive—movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems.”

Publisher MIT Press, 2013
Technologies of Lived Abstraction series
ISBN 0262018926, 9780262018920
200 pages

Reviews: Donnarumma (Mute, 2014), Murphy (Afterimage, 2014), Thain (Digicult).

Publisher
WorldCat

PDF (11 MB)