Gabriella Coleman: Hacker, Hoaxer, Whistleblower, Spy: The Many Faces of Anonymous (2014)

“A book on the worldwide movement of hackers, pranksters, and activists that operates under the non-name Anonymous.

Half a dozen years ago, anthropologist Gabriella Coleman set out to study the rise of this global phenomenon just as some of its members were turning to political protest and disruption (before Anonymous emerged as a player in the battles over WikiLeaks, the Arab Spring, and Occupy Wall Street). She ended up becoming closely connected to Anonymous and the story of her inside-outside status as Anon confidante, interpreter, and erstwhile mouthpiece forms one of the themes of this engrossing book.

The narrative brims with details unearthed from within a notoriously mysterious subculture, whose best-known tricksters – such as Topiary, tflow, Anachaos, and Sabu – emerge as complex, diverse, politically and culturally sophisticated people. Propelled by years of chats and encounters with a multitude of hackers, including imprisoned activist Jeremy Hammond and the double agent who helped put him away, Hector Monsegur, Hacker, Hoaxer, Whistleblower, Spy is filled with insights about digital activism and little understood facets of culture in the Internet age, including the history of “trolling,” the ethics and metaphysics of hacking, and the origins and manifold meanings of “the lulz.””

Publisher Verso Books, London and New York, November 2014
Creative Commons BY-NC-SA license
ISBN 1781685835, 9781781685839
452 pages
via Marcell

Reviews: Astra Taylor (Bookforum, 2014), Jamie Bartlett (Guardian, 2014), Hannah Kuchler (Financial Times, 2014), David Gilbert (IB Business Times, 2014), Haley Mlotek (National Post, 2014), Publishers Weekly (2014), Kirkus Reviews (2014), Nathalie Maréchal (Int’l J of Communication, 2015), Maxigas (Krisis, 2015).

Commentary: João Biehl & Naomi Zucker, Haidy Geismar, Adam Fish & Luca Follis, Tom Boellstorff, Gabriella Coleman (J Ethnographic Theory book symposium, 2015).

Debate with Gabriella Coleman, Cory Doctorow and James Bridle, London, 4 Nov

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Trebor Scholz (ed.): Digital Labor: The Internet as Playground and Factory (2012)

“Digital Labor calls on the reader to examine the shifting sites of labor markets to the Internet through the lens of their political, technological, and historical making. Internet users currently create most of the content that makes up the web: they search, link, tweet, and post updates—leaving their “deep” data exposed. Meanwhile, governments listen in, and big corporations track, analyze, and predict users’ interests and habits.

This unique collection of essays provides a wide-ranging account of the dark side of the Internet. It claims that the divide between leisure time and work has vanished so that every aspect of life drives the digital economy. The book reveals the anatomy of playbor (play/labor), the lure of exploitation and the potential for empowerment. Ultimately, the 14 thought-provoking chapters in this volume ask how users can politicize their troubled complicity, create public alternatives to the centralized social web, and thrive online.”

Contributors: Mark Andrejevic, Ayhan Aytes, Michel Bauwens, Jonathan Beller, Patricia Ticineto Clough, Sean Cubitt, Jodi Dean, Abigail De Kosnik, Julian Dibbell, Christian Fuchs, Lisa Nakamura, Andrew Ross, Ned Rossiter, Trebor Scholz, Tizania Terranova, McKenzie Wark, and Soenke Zehle.

Publisher Routledge, 2012
ISBN 0415896959, 9780415896955
258 pages

Reviews: Sebastian Sevignani (triple C, 2013), Andreas Wittel (Inf, Comm & Soc, 2014), Stephanie Anne Brown (Transformative Works & Cult, 2014), Gregory J. Downey (J Assoc Info Sci & Tech, 2015).

Conference (2009, from Archive.org)
Next conference (14-16 Nov 2014, CfP)
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Leshu Torchin: Creating the Witness: Documenting Genocide on Film, Video, and the Internet (2012)

“Since the beginning of the conflict in 2003, more than 300,000 lives have been lost in Darfur. Players of the video game Darfur Is Dying learn this sobering fact and more as they endeavor to ensure the survival of a virtual refugee camp. The video game not only puts players in the position of a struggling refugee, it shows them how they can take action in the real world.

Creating the Witness examines the role of film and the Internet in creating virtual witnesses to genocide over the past one hundred years. The book asks, how do visual media work to produce witnesses—audiences who are drawn into action? The argument is a detailed critique of the notion that there is a seamless trajectory from observing an atrocity to acting in order to intervene. According to Leshu Torchin, it is not enough to have a camera; images of genocide require an ideological framework to reinforce the messages the images are meant to convey. Torchin presents wide-ranging examples of witnessing and genocide, including the Armenian genocide, the Holocaust (engaging film as witness in the context of the Nuremburg trials), and the international human rights organization WITNESS and its sustained efforts to use video to publicize human rights advocacy and compel action.

From a historical and comparative approach, Torchin’s broad survey of media and the social practices around it investigates the development of popular understandings of genocide to achieve recognition and response—both political and judicial—ultimately calling on viewers to act on behalf of human rights.”

Publisher University of Minnesota Press, 2012
Visible Evidence series, Volume 26
ISBN 0816676224, 9780816676224
296 pages

Author’s discussion of the book
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PDF (updated on 2021-1-24)