Miguel Molina Alarcón: Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942) (2008) [EN, MP3]

“A comprehensive overview of the complexity and breadth of the many early 20th-century Russian avantgarde movements, followed by detailed notes and contexts for the individual recordings – including summary biographies of the main actors; additional work notes about the process of the extraordinary Baku reconstruction; a bibliography, rare photographs, web research links, artwork, facsimiles of contemporary documents, a comparative timeline of European and Russian Avantgardes and the first English translation of an article by Avraamov about the symphony. This is a definitive library collection, some seven years in the making and possibly our most important release of recent years.”

Publisher: ReR Megacorp, London, 2008
ISBN 9780956018403
72 pages

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querelles-net, Rezensionszeitschrift für Frauen- und Geschlechterforschung (2000-2011-) [German]

querelles-net erschließt die Vielzahl fachspezifischer, inter- und transdisziplinärer Veröffentlichungen im Bereich der Frauen- und Geschlechterforschung/Gender Studies. Wissenschaftliche Rezensionen geben einen Überblick über wichtige Publikationen und aktuelle Forschungsschwerpunkte. Die fortlaufend aktualisierte Bibliographie informiert über die Neuerscheinungen des Feldes.

querelles-net erscheint seit 2000 in Ergänzung zu Querelles. Jahrbuch für Frauen- und Geschlechterforschung (1996 ff.).

querelles-net ist Teil des Publikationsförderprogramms zur Frauen- und Geschlechterforschung an der Freien Universität Berlin.

Redaktionsleitung: Marco Tullney
Redaktion: Valeria Raupach, Anita Runge, Marco Tullney
Published by Freien Universität Berlin
ISSN 1862-054X
Licensed under Creative Commons Attribution 3.0 Germany License (from Issue 2009 / 1)

PDF (Vol 12 Issue 2; 2011; EPUB)
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Albrecht Betz: Hanns Eisler, Political Musician (1976/1982)

Eisler’s role in German music is similar to that of Brecht in German literature and the two men worked together for nearly thirty years. Together with Webern and Berg, Eisler is considered one of the three great pupils of Schoenberg. Albrecht Betz divides Eisler’s life and music into four periods. The early formative period as student of Schoenberg includes compositions written in Vienna up to 1925. From 1926 to 1933, the second period, Eisler lived in Berlin and made his greatest impact with his political vocal music. The third phase of Eisler’s life, fifteen years of exile, was spent principally in the USA, and the fourth (from 1948) in East Germany. The author shows how Eisler is distinguished from other great twentieth-century composers in his belief that music had a social function, and how he liberated modern music from what he and others felt was its isolation. Originally published in German in 1976, this English edition is illustrated with music examples and includes a complete list of works, and a bibliography which has been adapted for the English-speaking reader.

Originally published in German as Hanns Eisler, Musik einer Zeit, die sich eben bildet by Edition text und kritik GmbH, Munich 1976
Translated by Bill Hopkins
Publisher Cambridge University Press, 1982
ISBN 0521240220, 9780521240222
326 pages

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