Roman Jakobson: My Futurist Years (1992/1997)

12 January 2015, dusan

“Born in Moscow in 1896, Roman Jakobson was a founder of and a key figure in two influential schools of 20th century literary thought: Russian formalism, and later, during his years in Prague, structuralism. Forced to flee the invading Nazis, Jakobson spent time in Denmark, Norway, and Sweden, before coming to the United States in 1941. During his long and illustrious academic career in the U.S., Jakobson was a professor of literature and linguistics at Columbia, Harvard and MIT. Up to his death in 1982, he published 500 monographs and articles on linguistics, Slavic studies, poetics, and semiotics.

Vital as the extraordinary innovative and turbulent period that spawned these writings, My Futurist Years is one of the most important reflections on the Russian Futurist movement and a cornerstone in the career of one of the century’s greatest linguistic and literary thinkers.

Jakobson’s rare sensibility in his explorations in language and art are no more evident than in this volume, detailing the formative moment in his public and personal life. Along with the quite moving recollections of his friendships with such Modernist figures as Mayakovsky, Khlebnikov, and Malevich, the book includes Jakobson’s letters to other Futurists active in the scene and to his close friend Elsa Brik, later to gain notoriety as the French writer Elsa Triolet and wife of the poet Louis Aragon.” (from the back cover)

First published in Russian as Jakobson-budetljanin: sbornik materialov, Almqvist & Wiksell International, Stockholm, 1992.

Compiled and Edited by Bengt Jangfeldt
Translated and with an Introduction by Stephen Rudy
Publisher Marsilio, New York, 1997
ISBN 0941419797
371 pages
in the Unlimited Edition

Review: Avril Pyman (Slavonic & East European Review, 1993).

WorldCat

PDF (21 MB, updated on 2019-9-27)

L=A=N=G=U=A=G=E, 1–13 (1978–1981)

7 November 2014, dusan

L=A=N=G=U=A=G=E was an avant-garde poetry magazine edited by Charles Bernstein and Bruce Andrews that ran thirteen issues from 1978 to 1981. Along with This it is the magazine most often referenced as the breeding ground for the group of writers who became known as the Language poets.” (from Wikipedia)

GIF pages and PDFs (on Eclipse)
Index (on Eclipse)
The L=A=N=G=U=A=G=E Book (1983, added on 2022-1-11)

See also:
L=A=N=G=U=A=G=E Distributing Service, PDF catalog and commentary on Jacket2
The Poetics of L=A=N=G=U=A=G=E, a talk by Bruce Andrews, 2005, on UbuWeb
Andrews in EPC Digital Library
Bernstein in EPC Digital Library

Vanessa Place, Robert Fitterman: Notes on Conceptualisms (2009)

4 November 2014, dusan

“What is conceptual writing, how does it differ from Conceptual Art, what are some of the dominant forms of conceptualism, where does an impure or hybrid conceptualism fit in, what about the baroque, what about the prosody of procedure, what are the links between appropriation and conceptual writing, how does conceptual writing rely on a new way of reading, a “thinkership” that can shift the focus away from the text and onto the concept, what is the relationship between conceptual writing and technology or information culture, and why has this tendency taken hold in the poetry community now? What follows, then, is a collection of notes, aphorisms, quotes and inquiries on conceptual writing. We have co-authored this text through correspondence, shared reading interests, and similar explorations. Notes on Conceptualisms is far from a definitive text, and much closer to a primer, a purposefully incomplete starting place, where readers, hopefully, can enter so as to participate.”

Publisher Ugly Duckling Presse, Brooklyn, NY, 2009
Open Access
ISBN 9781933254463
78 pages

Commentary: Ron Silliman (2009).
Reviews: Thom Donovan (BOMB, 2009), Christopher Higgs (Chapbook Review, 2009), Karla Kelsey (Octopus Magazine, c2010), Ken L. Walker (Coldfront, 2010), John Bloomberg-Rissman (Galatea Resurrects 16, 2011), Alethia Alfonso (Notas, 2011, ES), Joel Kopplin & Kurt Milberger (HTML Giant, 2013).
Dialogue between Vanessa Place and Tania Ørum (Jacket2, 2012)

Publisher
WorldCat

PDF, PDF