Chris Newbold, Oliver Boyd-Barrett, Hilde van den Bulck (eds.): The Media Book (2002)
Filed under book | Tags: · mass media, media, media culture
The Media Book provides today’s students with a comprehensive foundation for the study of the modern media. It has been systematically compiled to map the field in a way which corresponds to the curricular organization of the field around the globe, providing a complete resource for students in their third year to graduate level courses in the U.S.
Publisher A Hodder Arnold Publication, 2002
ISBN: 0340740485, 978-0340740484
464 pages
PDF (updated on 2012-9-3)
Comment (0)Friedrich A. Kittler: Gramophone, Film, Typewriter (1986–) [DE, EN]
Filed under book | Tags: · film, history of technology, literary theory, literature, media, media archeology, media theory, poetry, psychoanalysis, sound, sound recording, technology, typewriter, writing
“Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation—all data had to pass through the needle’s eye of the written signifier—but phonography, photography, and cinematography stored physical effects of the real in the shape of sound waves and light. The entire question of referentiality had to be recast in light of these new media technologies; in addition, the use of the typewriter changed the perception of writing from that of a unique expression of a literate individual to that of a sequence of naked material signifiers.
Part technological history of the emergent new media in the late nineteenth century, part theoretical discussion of the responses to these media—including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators—Gramophone, Film, Typewriter analyzes this momentous shift using insights from the work of Foucault, Lacan, and McLuhan. Fusing discourse analysis, structuralist psychoanalysis, and media theory, the author adds a vital historical dimension to the current debates over the relationship between electronic literacy and poststructuralism, and the extent to which we are constituted by our technologies. The book ties the establishment of new discursive practices to the introduction of new media technologies, and it shows how both determine the ways in which psychoanalysis conceives of the psychic apparatus in terms of information machines.
Gramophone, Film, Typewriter is, among other things, a continuation as well as a detailed elaboration of the second part of the author’s Discourse Networks, 1800/1900 (Stanford, 1990). As such, it bridges the gap between Kittler’s discourse analysis of the 1980’s and his increasingly computer-oriented work of the 1990’s.”
Publisher Brinkmann & Bose, Berlin, 1986
ISBN 3922660177
427 pages
English edition
Translated, with an Introduction by Geoffrey Winthrop-Young and Michael Wutz
Publisher Stanford University Press, 1999
ISBN 0804732337, 9780804732338
315 pages
Reviews: Bruce Clarke (Electronic Book Review, 1999), Alex Magoun (Technology and Culture, 2001).
Grammophon Film Typewriter (German, 1986, 7 MB, added on 2014-6-30, updated on 2019-5-2)
Gramophone, Film, Typewriter (English, trans. Geoffrey Winthrop-Young and Michael Wutz, 1999, updated on 2012-10-13)
David Bollier: Viral Spiral: How the Commoners Built a Digital Republic of Their Own (2009)
Filed under book | Tags: · commons, economy, floss, free culture, media, open source, sharing, web 2.0
“A world organized around centralized control, strict intellectual property rights, and hierarchies of credentialed experts is under siege. A radically different order of society based on open access, decentralized creativity, collaborative intelligence, and cheap and easy sharing is ascendant.”
From free and open-source software, Creative Commons licenses, Wikipedia, remix music and video mashups, peer production, open science, open education, and open business, the world of digital media has spawned a new “sharing economy” that increasingly competes with entrenched media giants.
Reporting from the heart of this “free culture” movement, journalist and activist David Bollier provides the first comprehensive history of the attempt by a global brigade of techies, lawyers, artists, musicians, scientists, businesspeople, innovators, and geeks of all stripes to create a digital republic committed to freedom and innovation. Viral Spiral-the term Bollier coins to describe the almost-magical process by which Internet users can come together to build online commons and tools-brilliantly interweaves the disparate strands of this eclectic movement. The story describes major technological developments and pivotal legal struggles, as well as fascinating profiles of hacker Richard Stallman, copyright scholar Lawrence Lessig, and other colorful figures.
A milestone in reporting on the Internet by one of our leading media critics, Viral Spiral is for anyone seeking to take the full measure of the new digital era.
Publisher New Press, 2009
Creative Commons BY-NC License
ISBN 1595583963, 9781595583963
344 pages