Jacques Khalip, Robert Mitchell (eds.): Releasing the Image: From Literature to New Media (2011)

“It has become a commonplace that “images” were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology—the work of Husserl, Heidegger, and Merleau-Ponty—and to Gilles Deleuze’s post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne’s painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology.”

With contributions by Peter Geimer, Jean-Luc Marion, Giorgio Agamben, Mark B.N. Hansen, Vivian Sobchack, Timothy Murray, Cesare Casarino, Kenneth Surin, Forest Pyle, Kevin McLaughlin, Bernard Stiegler

Publisher Stanford University Press, 2011
ISBN 0804761388, 9780804761383
304 pages

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Journal of Neuro-Aesthetic Theory, No 1-5 (1997-2011)

Journal of Neuro-Aesthetic Theory #5 (2007-11)
Neurobiopolitics, Pluripotentiality and Cognitive Capitalism, a work in progress…
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Journal of Neuro-Aesthetic Theory #4 (2005-07)
Conference of Neuroaesthetics
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Journal of Neuro-Aesthetic Theory #3 (2003-04)
Buildings, Movies and Brains.
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Journal of Neuro-Aesthetic Theory #2 (2000-02)
Cinema and the Brain
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Journal of Neuro-Aesthetic Theory #1 (1997-99)
Introduction to Neuro-Aesthetic Theory
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Contributors: Warren Neidich, Charles T. Wolfe, Andrew Patrizio, Philippe Rahm, Meena Alexander, Michael Madore, Martina Wicklein, Martina Siebert, Norman M. Klein, Michael Salcman, Nicholas Wade, Nicholas Chase, Nathalie Angles, Martha Trivizas, Nicola Diamond, Mark Cohen, Lev Manovich, Laura U. Marks, Lucy Steeds, Mark Bishop, Olafur Eliasson, Margarita Gluzberg, Marcos Novak, M. A. Greenstein, Marquard Smith, Paul D. Miller -DJ Spooky, Vivian Sobchack, W. H. Zangemeister, Thyrza Goodeve, Warren Sack, Zoe Beloff, Yann Beauvais, William Hirstein, Stuart Brisley, Peter Brugger, Ralph Greenspan, Penny Starfield, Kodwo Eshun, Sarat Maharaj, Scott Lash, Steven Holl, Karen Beckman, Colin Gardner, Conerly Casey, Christiane Paul, Chloe Vaitsou, Daniel Blaufuks, Diana Thater, Ken Jacobs, Dennis Balk, David J. McGonigle, Charlie Gere, Armen Avanessian, Arnold H. Modell, Anjan Chatterjee, Andreas Roepstorff, Barbara Marie Stafford, Brian Massumi, Bernard Andrieu, Beau Lotto, Elizabeth Cohen and Michael Talley, John Welchman, Janet Sternburg, Elizabeth S. CohenJonathan Green, Joseph Kosuth, Andrea Grunert, Juli Carson and Lindi Emoungu, Jules Davidoff, Isabelle Moffat, Israel Rosenfeld, Francois Bucher, Eric Duyckaerts, Ellen K. Levy and David E. Levy, gruppo A12 and Francisca Insulza, Gregg Lambert and Gregory Flaxman

Initiated by Warren Neidich

Gilles Deleuze: Image and Text (2009)

Gilles Deleuze: Image and Text focuses on the intersection between Deleuzian philosophy and the arts. Deleuze combined exceptionally rigorous insight into important Western philosophers with an extraordinary sensitivity to literature, music, painting and film. He was intensely interested in the medium of thought, which is by no means limited to philosophy alone: it also takes place in science, mathematics, literature, painting and cinema, to name just some of the genres of thought to which Deleuze most often refers. His own thinking emerged almost as often in conversation with artists and literary writers as in engagement with other philosophers, and his philosophy cannot be fully grasped without an understanding of his engagement with the arts.

This significant and timely collection of essays from an international team of leading Deleuze scholars brings together interpretations and commentaries from Deleuzian perspectives on subjects such as literature, painting, music and film.

The book represents diverse modes of engagement with Deleuze’s philosophical concepts and problems and demonstrates the central role the arts play in any understanding of his philosophical ideas.

Editors Eugene W. Holland, Daniel Warren Smith, Charles J. Stivale
Publisher Continuum International Publishing Group, 2009
ISBN 0826439233, 9780826439239
276 pages

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PDF (updated on 2013-1-24)