Postwar Culture at Beinecke (2014–)
Filed under online resource | Tags: · architecture, art, counterculture, lettrism, situationists

An online guide to Beinecke Rare Book and Manuscript Library’s Postwar Culture with “an extensive array of materials documenting artistic, literary, social, political, and philosophic developments in Europe and America between 1945 and 1989”, including the lettrists and situationists.
Edited and produced by Kevin Repp and Postwar Culture Working Group at Yale University
HTML (updated 2018-10-10)
Comment (0)Jeff Nuttall: Bomb Culture (1968/1970)
Filed under book | Tags: · activism, affect, anarchism, art, avant-garde, biography, cold war, counterculture, literature, social movements, underground, united kingdom
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“Jeff Nuttall’s book, Bomb Culture, an idiosyncratic and semi-auto-biographical account of the build-up to 1968, was written in 1967 and first published just before May 1968. It remains a key primary source for the emergence of international counter-culture in the 1960s. Nuttall played a key role in the London underground scene and coordinated a network of connections with European and American avant-gardes through correspondence and the instigation of a number of small journals and pamphlets, publishing William Burroughs, Dom Sylvester Houédard, Carl Weissner and Michael McLure in his My Own Mag between 1964-67. Through a diverse body of practices, Nuttall – a performance artist and poet – advocated the insurrectionary power of spontaneity and persistently articulated a connection between the power of the imagination and collective revolutionary political consciousness.” (Gillian Whiteley, 2008)
First published by MacGibbon & Kee, 1968
Publisher Paladin, London, 1970; 1972 reprint
252 pages
via filboid
Interview with the author (John May, 1984)
Wikipedia
PDF (no OCR)
Comment (0)Mutually: Communities of the 1970s and 1980s / Navzájem: Společenství 70. a 80. let, catalogue (2013) [EN/SK/CZ]
Filed under catalogue | Tags: · 1970s, 1980s, archive, art, art history, counterculture, czechoslovakia, film, hungary, participation, photography, video

Catalogue for an exhibition held in March-May 2013 at tranzitdisplay in Prague and The Brno House of Arts, Czech Republic, curated by Barbora Klímová, Daniel Grúň and Filip Cenek.
The selected fragments in this exhibition, borrowed from the archives of Moravian, Slovak, and Hungarian artists, reference different communities within the framework of “unofficial culture” during the period of Czechoslovak normalisation in the 1970s-80s.
Publisher tranzitdisplay, Prague, and The House of Arts, Brno, 2013
44 pages
via Academia.edu