Decolonising Design (2016–)
Filed under online resource | Tags: · decolonization, design, gender, politics, postcolonialism, race

“Our objective—as design scholars and practitioners—is to transform the very terms of present day design studies and research. Designers can put to task their skills, techniques, and mentalities to designing futures aimed at advancing ecological, social, and technological conditions where multiple worlds and knowledges, involving both humans and nonhumans, can flourish in mutually enhancing ways. For us, decolonisation is not simply one more option or approach among others within design discourse. Rather, it is a fundamental imperative to which all design endeavors must be oriented.
It is with the aim of providing an outlet for voices from the fringes, the voices of the marginal and the suppressed in design discourse, that we have opened this platform. We welcome all of those who work silently and surely on the edges and outskirts of the discipline to join and contribute to conversations that question and critique the politics of design practice today, where we can discuss strategies and tactics through which to engage with more mainstream discourse, and where we can collectively experiment with alternatives and reformulations of contemporary practice.” (from the Editorial)
Edited by Ahmed Ansari, Danah Abdulla, Ece Canli, Mahmoud Keshavarz, Matthew Kiem, Pedro Oliveira, Luiza Prado, Tristan Schultz, a.o.
HTML
A Manifesto for Decolonising Design (2019; Editorial, 2016/2017, HTML)
Design & Culture 10(1): Decolonizing Design (special issue of journal, 2018)
Contemporary And (C&): Platform for International Art from African Perspectives, 1-9 (2014-2018)
Filed under magazine | Tags: · africa, art, art criticism, art history, colonialism, contemporary art, decolonization, diaspora, migration, postcolonialism


“Contemporary And (C&) is an online art magazine and a dynamic space for the reflection on and linking together of ideas, discourse and information on contemporary art practice from diverse African perspectives.”
Edited by Julia Grosse, Yvette Mutumba, Will Furtado, a.o.
Publisher Contemporary And (C&) & Institut für Auslandsbeziehungen (ifa), Stuttgart
Open Access
HTML (online platform)
PDFs (print issues):
Issue 1: Dak’Art 14 (Dakar Biennale Special) (Apr 2014)
Issue 2: Kampala Focus (Sep 2014)
Issue 3: Focus Migration (Jun 2015)
Issue 4: Focus Bamako (10th Bamako Encounters – African Biennale of Photography Special) (English/French, Sep 2015)
Issue 5: The Interview Issue (Feb 2016)
Issue 6: Afro-Brazilian Perspectives (32nd Bienal de São Paulo Special) (Sep 2016)
Issue 7: Curriculum of Connections (documenta 14 Special) (Jun 2017)
Special Edition: #Nairobi (Sep 2017)
Issue 8: Conditions (Art Scene Cameroon Special) (Dec 2017)
Issue 9: You Are Already in it: Looking at a Global Diaspora (10th Berlin Biennale Special) (Jun 2018)
Artikisler Collective (ed.): Autonomous Archiving (2016)
Filed under book | Tags: · archive, archiving, autonomy, commons, decolonization, forensics, open source

“As an institutional practice, archival practices often tent to serve to colonization, surveillance and discipline society of the Modern world. In the last ten years, with the digital technology and social movement detecting, recording and accumulating images become a civil activity. Thus, archiving videos and other types of visual images brought also non-institutional practices and as well contemporary discussions related to image, open source, collectivity and forensics. Beside interviews with video activists; this book compiles several writers’ articles on their practices and discussions of archives from several angles: forensics, decolonization and commons.”
Contributors: bak.ma, Thomas Keenan, Lawrence Liang, Murat Deha Boduroglu, Ege Berensel, Eyal Weizman, Inadina Haber, Lara Baladi, Shaina Anand, pad.ma, Burak Arikan, Oktay Ince, Eric Kluitenberg, Pelin Tan, Sevgi Ortaç, Seyr-i Sokak, vidyo kolektif.
Edited by Artikisler Collective (Özge Çelikaslan, Alper Sen, Pelin Tan)
Publisher dpr-barcelona, Barcelona, April 2016
ISBN 9788494487316
200 pages
via ZsPreston
PDF (9 MB)
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