Addie Wagenknecht, et al.: Deep Lab (2014)

“Deep Lab book is a compilation of reflections on digital culture, the post-Snowden Internet, and cyberfeminism. Created in five days by a dozen women, it represents the capstone to Deep Lab, a congress of cyberfeminist researchers, organized by Frank-Ratchye STUDIO Fellow Addie Wagenknecht to examine how the themes of privacy, security, surveillance, anonymity, and large-scale data aggregation are problematized in the arts, culture and society.

During the second week of December 2014, the Deep Lab participants—a group of internationally acclaimed new-media artists, information designers, data scientists, software engineers, hackers, writers, journalists and theoreticians—gathered to engage in critical assessments of contemporary digital culture. They worked collaboratively at the STUDIO in an accelerated pressure project, blending aspects of a booksprint, hackathon, dugnad, charrette, and a micro-conference. The outcomes of this effort include the visualizations, software, reflections and manifestos compiled in this book; an album of ten lecture presentations, the Deep Lab Lecture Series; and a documentary film featuring interviews with the Deep Lab participants.”

By Addie Wagenknecht, Allison Burtch, Claire L. Evans, Denise Caruso, Harlo Holmes, Ingrid Burrington, Jillian C. York, Jen Lowe, Kate Crawford, Lindsay Howard, Lorrie Faith Cranor & CUPS, Maddy Varner, Maral Pourkazemi, and Runa A. Sandvik.
Publisher Deep Lab and Frank-Ratchye STUDIO for Creative Inquiry at Carnegie Mellon University, Dec 2014
Creative Commons BY-NC-SA 4.0 License
ISBN 978-1-312-77551-0
234 pages

Project website, (2)

PDF, PDF (109 MB, updated on 2018-4-14)
Deep Lab Lectures Series (10 videos, Dec 2014)
Documentary (18 min)

Art Post-Internet: Information/Data (2014)

A PDF catalogue accompanying the exhibition Art Post-Internet, curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing during spring 2014. Includes two essays written by the curators, responses to a questionnaire on the nature of the term “post-internet,” and documentation of the works.

Edited by Karen Archey and Robin Peckham
Designed by PWR Studio, Berlin
Published in October 2014
134 pages

Catalogue website

PDF (18 MB, updated on 2021-5-19)

Alondra Nelson (ed.): Afrofuturism: A Special Issue of Social Text (2002)

The issue guest edited and introduced by Alondra Nelson explores futurist themes, sci-fi imagery, and technological innovation in African diasporic culture. Contributors approach this under-explored theme from a variety of angles: as a novel frame of reference for visual culture; as fiction of the near-future; as poetry; as new forms of black subjectivity; as new narratives about the digital revolution; and as the imagining of future directions in African diasporic studies. Alexander G. Weheliye rethinks the category of the posthuman. Ron Eglash historicizes the nerd, while Anna Everett shows how the African diaspora prefigures the Internet. Kali Tal explores the utopian vision of black militant near-future fiction, whose heir apparent, Nalo Hopkinson, is interviewed by Alondra Nelson. The esthetic possibilities of this project are evident in poetry by Tracie Morris, and the images of Tana Hargest and Fatimah Tuggar.

Social Text 71, Summer 2002
146 pages

Publisher

PDF (15 MB)