A Peer-Reviewed Newspaper, 1(2): In/Compatible Research (2012)
Filed under journal | Tags: · archive, capitalism, copyright, floss, glitch, intellectual property, interface, internet, market, media art, media theory, new media, software
“World of the News – The world’s greatest peer-reviewed newspaper of in/compatible research presents cutting edge in/compatible research in an accessible FREE tabloid format. The newspaper partly addresses academia’s increasing demand for publication of academic peer-reviewed journal articles. Perhaps researchers need new visions of how to produce and consume research?
The content of the newspaper derives from a Ph.D. workshop and conference held in November 2011, at University of the Arts, Berlin (organised by Aarhus University in collaboration with transmediale/reSource for transmedial culture and the Vilém Flusser Archive). This provided an insight into current research from academics, practitioners, and Ph.D. researchers from an open call. Leading up to that event, and subsequent to it, a blog (this blog) has been gathering draft articles and discussions, reflecting on the key issues. This collaborative ‘peer-review’ process is further developed during the festival itself, on 01 February, 2012. So, although this may seem like old news in many ways, in terms of research practices, it breaks with some of the current academic conventions of peer-review, academic reputation, and what constitutes proper scholarly activity.”
Contributions by Christian Ulrik Andersen, Cesar Baio, Tatiana Bazzichelli, Zach Blas, Morten Breinbjerg, Geoff Cox, Lina Dokuzović, Jacob Gaboury, Kristoffer Gansing, Baruch Gottlieb, Jakob Jakobsen, Ioana Jucan, Dmytri Kleiner, Thomas Bjoernsten Kristensen, Magnus Lawrie, Giannina Lisitano, Aymeric Mansoux, Alex McLean, Rosa Menkman, Gabriel Menotti, Andrew Murphie, Jussi Parikka, Søren Pold, Morten Riis, Lasse Scherffig, Cornelia Sollfrank, Mathias Tarasiewicz, Tiziana Terranova, Marie Thompson, Nina Wenhart, Carolin Wiedemann, Siegfried Zielinski.
Edited by Geoff Cox and Christian Ulrik Andersen
Published by transmediale, Berlin, and Digital Aesthetics Research Centre, Aarhus University, Aarhus, January 2012
Creative Commons BY-NC-SA License
ISBN 8791810205
32 pages
Project page (archived)
Publisher
PDF (21 MB, updated on 2019-9-27)
Comment (0)International Journal of Communication, Vol. 5 (2011)
Filed under journal | Tags: · arab spring, internet, labour, network society, networks, new media, protest, technology, theory, web 2.0
The International Journal of Communication is an online, multi-media, academic journal that adheres to the highest standards of peer review and engages established and emerging scholars from anywhere in the world. The International Journal of Communication is an interdisciplinary journal that, while centered in communication, is open and welcoming to contributions from the many disciplines and approaches that meet at the crossroads that is communication study.
Special sections: Network Theory, New Media in International Contexts.
Features: Academic Labor, The Arab Spring.
Editors: Manuel Castells, Larry Gross
Published by University of Southern California, Annenberg Press, Los Angeles, CA, 2011
PDF (PDF articles)
Comment (0)Jacques Khalip, Robert Mitchell (eds.): Releasing the Image: From Literature to New Media (2011)
Filed under book | Tags: · acoustics, aesthetics, art, audiovisual, biopolitics, cinema, critique, image, literature, new media, new media art, phenomenology, philosophy, photography, sound recording, theory, video
“It has become a commonplace that “images” were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology—the work of Husserl, Heidegger, and Merleau-Ponty—and to Gilles Deleuze’s post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne’s painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology.”
With contributions by Peter Geimer, Jean-Luc Marion, Giorgio Agamben, Mark B.N. Hansen, Vivian Sobchack, Timothy Murray, Cesare Casarino, Kenneth Surin, Forest Pyle, Kevin McLaughlin, Bernard Stiegler
Publisher Stanford University Press, 2011
ISBN 0804761388, 9780804761383
304 pages
PDF (updated on 2019-10-7)
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