From Consideration to Commitment: Art in Critical Confrontation to Society (Belgrade, Ljubljana, Skopje, Zagreb: 1990-2010) (2011) [multiling]

The publication explores practices of critical contemporary fine arts – practices of research, progressive and experimental actions by contemporary fine artists from the 1990s to the present, in four countries in the region – Croatia, Macedonia, Serbia and Slovenia. These are practices which focus on issues such as identity aspects (national, cultural, religious, ethnic), workers’ rights, social integration of minorities, global market fluctuation trends and its impact in the local context, unscrupulousness of capital, the position of women, spatial devastation, art institution system issues, and many others.

The publication maps out and theoretically reviews critical and research practices, and contemporary fine arts practices oriented towards the contemporary civilization moment, which have been active in the context of the independent cultural scene since the 1990s, but which have also been present in the institutional frame. The authors provide only drafts of the political, social, economic and cultural changes of the local contexts, through four segments, due to a lack of space. Each segment focuses on the practices and context of a given country, i.e. the capital as the primary focus, and in addition to the introductory word by the authors, it includes interviews (with authors, theorists, curators, organizers…) who contribute to the recording of these artistic practices based on their experience, work and knowledge.

The segments deal with the Belgrade, Ljubljana, Skopje, and Zagreb scenes. All the authors devised their approaches in an effort to present the fruitful and creative production of these cities, to the greatest extent possible.

Contemporary visual art is discussed through the works and experiences of Igor Grubić, Sanja Iveković, Andreja Kulunčić and Darko Šimičić (Croatia), Stevan Vuković, Milica Tomić, Danilo Prnjat and Živko Grozdanić Gera (Serbia), Neven Korda, Marko Peljhan, Marija Mojca Pungerčar and Maja Smrekar (Slovenia), and Bojan Ivanov, Zoran Poposki, Mira Gakina and Žaneta Vangeli (Macedonia).

The book was conceived as a multilingual publication in English, in addition to the local languages (Croatia, Macedonian, Serbian and Slovenian).

Realized as part of the project Let’s Talk Critic Arts.

Editorial Board: Dušan Dovč, Vesna Milosavljević, Jasna Soptrajanova and Dea Vidović
Authors: Jasna Jakšić – in cooperation with Tihana Bertek, Maja Gujinović, Ana Kovačić, Srđan Latreza, Petra Novak, Tina Novak, Tamara Sertić and Leda Sutlović (Croatia); Nebojša Vilić (Macedonia); Miha Colner and Nika Grabar (Slovenia); Vesna Tašić – in cooperation with Vesna Milosavljević and Miroljub Marjanović (Serbia)
Publishers: SEEcult.org in cooperation with ForumSkopje; Kurziv – Platform for Matters of Culture, Media and Society; SCCA, Center for Contemporary Arts – Ljubljana / Artservis; The Association of NGOs Clubture
Published in April 2011, Belgrade, Ljubljana, Zagreb, Skopje
611 pages
This work is made available by the Creative Commons Licence Attribution-NonCommercial-ShareAlike 3.0 Unported unless not stated differently.

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Fillip (2006–)

“Fillip is a publication of art, culture, and ideas released three times a year by the Projectile Publishing Society from Vancouver, British Columbia.

Fillip builds on Vancouver’s tradition of critical art publishing such as the pre-magazine era Vanguard (1972–78), Boo (1994–98), and Last Call (2001–02) by stimulating conversations about contemporary art through critical writing, projects, and events.”

Publisher: Jeff Khonsary, Vancouver

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Nick Lambert: A Critical Examination of “Computer Art”: its History and Application (2003)

The thesis focuses principally on artists’ experiences of the computer and covers a wide range of approaches to computers in art.

DPhil thesis
Oxford University
Supervisor: Martin Kemp

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