Garnet Hertz (ed.): Critical Making (2012)

“Critical Making is a handmade book project by Garnet Hertz that explores how hands-on productive work ‐ making ‐ can supplement and extend critical reflection on technology and society. It works to blend and extend the fields of design, contemporary art, DIY/craft and technological development. It also can be thought of as an appeal to the electronic DIY maker movement to be critically engaged with culture, history and society: after learning to use a 3D printer, making an LED blink or using an Arduino, then what?

The publication has 70 contributors ‐ primarily from contemporary art and academia ‐ and its 352 pages are bound in ten pocket-sized zine-like volumes. The project takes the topic of DIY culture literally by printing an edition of 300 copies on a hacked photocopier with booklets that were manually folded, stapled and cut. The 300 finished copies were primarily given away for free to project contributors, individuals and institutions important to them. Some of the handmade copies were traded for reviews, photographs, videos, lectures and were given to library archives.

Due to the large demand for this content, the entire collection had been scanned and released on conceptlab.com/criticalmaking and through the Twitter account @criticalpdfs.”

Publisher Telharmonium Press, Hollywood/CA, November 2012
Open Access
10 booklets, 352 pages total

Reviews: Debatty (We Make Money Not Art, 2013), Blue (Engine Institute, 2013).

single PDF (36 MB)
PDF contributions (67 pieces)

Ada 5: Queer Feminist Media Praxis (2014)

“Alexandra Juhasz’s work on feminist media praxis together with Aristea Fotopoulou’s work on contemporary digital media, feminism and queer studies structured the theme of this issue. We were interested in exploring what the concept of praxis could offer in our thinking about the intersections of gender, digital media, and technology. Praxis in both Marxist and in Arendtian political thought brings together theory, philosophy and political action into the realm of the everyday. Inspired from this premise, and continuing the conversations that started during the workshop, we focus here on the conditions for a queer feminist digital media praxis.” (from the Introduction)

Ada: A Journal of Gender, New Media, and Technology, Issue 5
Edited by Aristea Fotopoulou, Kate O’Riordan, and Alexandra Juhasz
Publisher University of Oregon Libraries
Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License
ISSN 2325-0496

HTML
HTML (at Fembotcollective.org)

Karla Jasso: Arte-tecnología: Arqueología, dialéctica, mediación (2013) [Spanish]

A volume on art, media theory and media archaeology with chapters on Adorno, Kittler, Zielinski, Athanasius Kircher and Alejandro Favián, based on author’s dissertation thesis in art history defended at the Universidad Nacional Autónoma de México (UNAM) in 2012.

Self-published in Ciudad de Mexico, 2013
329 pages

PDF
on Academia.edu (from the author)
ARG