October, 155: A Questionnaire on Materialisms (2016)

“Recent philosophical tendencies of “Actor-Network Theory,” “Thing Theory,” “Object-Oriented Ontology,” “Speculative Realism,”and “Vibrant Materialism,” have profoundly challenged the centrality of subjectivity in the humanities and, arguably, the perspectives that theories of the subject from the psychoanalytic to the Foucauldian have afforded (on the operations of power, the production of difference, and the constitution of the social, for instance). At least four moves characterize these discourses:

• Attempting to think the reality of objects beyond human meanings and uses. This other reality is often rooted in “thingness” or an animate materiality.
• Asserting that humans and objects form networks or assemblages across which agency and even consciousness are distributed.
• Shifting from epistemology, in all of its relation to critique, to ontology, where the being of things is valued alongside that of persons.
• Situating modernity in geological time with the concept of the “Anthropocene,” an era defined by the destructive ecological effects of human industry.

Many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift. Is it possible, or desirable, to decenter the human in discourse on art in particular? What is gained in the attempt, and what—or who—disappears from view? Is human difference—gender, race, power of all kinds—elided? What are the risks in assigning agency to objects; does it absolve us of responsibility, or offer a new platform for politics?” (from the introduction)

Responses by Emily Apter, Ed Atkins, Armen Avanessian, Bill Brown, Giuliana Bruno, Julia Bryan-Wilson, D. Graham Burnett, Mel Y. Chen, Andrew Cole, Christoph Cox, Suhail Malik, T. J. Demos, Jeff Dolven, David T. Doris, Helmut Draxler, Patricia Falguières, Peter Galison, Alexander R. Galloway, Rachel Haidu, Graham Harman, Camille Henrot, Brooke Holmes, Tim Ingold, Caroline A. Jones, Alex Kitnick, Sam Lewitt, Helen Molesworth, Alexander Nemerov, Michael Newman, Spyros Papapetros, Susanne Pfeffer, Gregor Quack, Charles Ray, Matthew Ritchie, André Rottmann, Amie Siegel, Kerstin Stakemeier, Artie Vierkant, McKenzie Wark, Eyal Weizman, Christopher S. Wood, and Zhang Ga.

Edited by David Joselit, Carrie Lambert-Beatty, and Hal Foster
Publisher MIT Press, Winter 2016
ISSN 0162-2870
108 pages

PDF (updated on 2017-11-24)

Alexander R. Galloway, Eugene Thacker, McKenzie Wark: Excommunication: Three Inquiries in Media and Mediation (2013)

“Always connect—that is the imperative of today’s media. But what about those moments when media cease to function properly, when messages go beyond the sender and receiver to become excluded from the world of communication itself—those messages that state: “There will be no more messages”? In this book, Alexander R. Galloway, Eugene Thacker, and McKenzie Wark argue that these moments reveal the ways the impossibility of communication is integral to communication itself—instances they call excommunication.

In three linked essays, Excommunication pursues this elusive topic by looking at mediation in the face of banishment, exclusion, and heresy, and by contemplating the possibilities of communication with the great beyond. First, Galloway proposes an original theory of mediation based on classical literature and philosophy, using Hermes, Iris, and the Furies to map out three of the most prevalent modes of mediation today—mediation as exchange, as illumination, and as network. Then, Thacker goes beyond Galloway’s classification scheme by examining the concept of excommunication through the secret link between the modern horror genre and medieval mysticism. Charting a trajectory of examples from H. P. Lovecraft to Meister Eckhart, Thacker explores those instances when one communicates or connects with the inaccessible, dubbing such modes of mediation “haunted” or “weird” to underscore their inaccessibility. Finally, Wark evokes the poetics of the infuriated swarm as a queer politics of heresy that deviates from both media theory and the traditional left. He posits a critical theory that celebrates heresy and that is distinct from those that now venerate Saint Paul.

Reexamining commonplace definitions of media, mediation, and communication, Excommunication offers a glimpse into the realm of the nonhuman to find a theory of mediation adequate to our present condition.”

Publisher University of Chicago Press, 2013
TRIOS series
ISBN 0226925226, 9780226925226
210 pages

Reviews: Daniel Colucciello Barber (Parrhesia, 2014), Jay Murphy (Afterimage, 2014), Geert Lovink (e-flux, 2014, Wark’s response), Aleksandra Kaminska (Reviews in Cultural Theory, 2015), Marco Deseriis (Culture Machine, 2015).

Publisher
WorldCat

PDF (updated on 2019-11-20)

Luciana Parisi: Contagious Architecture: Computation, Aesthetics, and Space (2013)

“In Contagious Architecture, Luciana Parisi offers a philosophical inquiry into the status of the algorithm in architectural and interaction design. Her thesis is that algorithmic computation is not simply an abstract mathematical tool but constitutes a mode of thought in its own right, in that its operation extends into forms of abstraction that lie beyond direct human cognition and control. These include modes of infinity, contingency, and indeterminacy, as well as incomputable quantities underlying the iterative process of algorithmic processing.

The main philosophical source for the project is Alfred North Whitehead, whose process philosophy is specifically designed to provide a vocabulary for “modes of thought” exhibiting various degrees of autonomy from human agency even as they are mobilized by it. Because algorithmic processing lies at the heart of the design practices now reshaping our world—from the physical spaces of our built environment to the networked spaces of digital culture—the nature of algorithmic thought is a topic of pressing importance that reraises questions of control and, ultimately, power. Contagious Architecture revisits cybernetic theories of control and information theory’s notion of the incomputable in light of this rethinking of the role of algorithmic thought. Informed by recent debates in political and cultural theory around the changing landscape of power, it links the nature of abstraction to a new theory of power adequate to the complexities of the digital world.”

Publisher MIT Press, 2013
Technologies of Lived Abstraction series
ISBN 0262018632, 9780262018630
392 pages

For a New Computational Aesthetics: Algorithmic Environments as Actual Objects lecture by Parisi (2012, video, 72 min).

Reviews: Lecomte (Mute, 2013), Ikoniadou (Computational Culture, 2014).

Publisher
WorldCat

PDF (24 MB, updated o 2021-10-28)