monochrom, 3-10 (1994-1998) [German]

8 August 2013, dusan

The mouthpiece of an international art-technology-philosophy collective founded in 1993, with its headquarters at Museumsquartier in Vienna.

Editor-in-chief: Johannes Grenzfurthner
Publisher Monochrom, Vienna
ISSN 1024-6738

Authors
Monochrom on Wikipedia

PDF (No. 3: media dings, 1994/95, 68 pp)
PDF (No. 4-5: media art damage, 1995/96, 104 pp)
PDF (No. 6-7: 100% error free high-density druckwerk, 1997, 112 pp)
PDF (No. 8-10: gebenedeit unter den illustrierten, 1998, 180 pp)

Later issues

Gilbert Simondon: Being and Technology (2012)

19 May 2013, dusan

“The first sustained exploration of Simondon’s work to be published in English.

This collection of essays, including one by Simondon himself, outlines the central tenets of Simondon’s thought, the implication of his thought for numerous disciplines and his relationship to other thinkers such as Heidegger, Deleuze and Canguilhem.

Complete with a contextualising introduction and a glossary of technical terms, it offers an entry point to this important thinker and will appeal to people working in philosophy, philosophy of science, media studies, social theory and political philosophy.

Gilbert Simondon’s work has recently come to prominence in America and around the Anglophone world, having been of great importance in France for many years.”

Contributors: Miguel de Beistegui, Elizabeth Grosz, Anne Sauvagnargues, Bernard Stiegler, Igor Krtolica, Jean-Hugues Barthélémy, Yves Michaud, Sean Bowden, Dominique Lecourt, and the editors.

Edited by Arne De Boever, Alex Murray, Jon Roffe, Ashley Woodward
Publisher Edinburgh University Press, 2012
ISBN 074864525X, 9780748645251
236 pages
via lastobserver

review (Wil Kaiser, H-Net Reviews)

Publisher

PDF

Friedrich Kittler: Optical Media: Berlin Lectures 1999 (2002–)

27 February 2013, dusan

“This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organized. He also discusses the development of various mechanical devices, such as the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counter-Reformation.

After examining this history, Kittler then addresses the ways in which images were first stored and made to move, through the development of photography and film. He discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or “picture-frame” stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations.

In short, this book provides a comprehensive introduction to the history of image production that is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.”

Publisher Merve, Berlin, 2002
Internationaler Merve Diskurs series, 250
ISBN 3883961833, 9783883961835
331 pages

English edition
Translated by Anthony Enns
With an introduction by John Durham Peters
Publisher Polity, 2009
ISBN 0745640915, 9780745640914
vi+250 pages

Reviews: Anthony Enns (Electronic Book Review 2004), Nicholas Gane and Hannes Hansen-Magnusson (Theory Culture Society 2006), Kiss (2006, HU), Bohár (HU), Jussi Parikka (2011).

Publisher (DE)
Publisher (EN)
Worldcat (DE)
Worldcat (EN)

Optische Medien. Berliner Vorlesung 1999 (German, 2002, added on 2016-8-13, removed on 2017-8-10 upon request from publisher – read first two chapters)
Optical Media: Berlin Lectures 1999 (English, trans. Anthony Enns, 2009)