ISEA2012 Albuquerque: Machine Wilderness (2012)

Published to coincide with the Eighteenth International Symposium on Electronic Art, ISEA 2012, subtitled “Re-envisioning Art, Technology and Nature”. The catalog features images and stills of the works from the exhibition as well as essays by the curators and developers of the symposium.

Publisher Radius Books, with 516 Arts, Albuquerque Museum of Art, University of New Mexico, and Fund at the Albuquerque Community Foundation, Santa Fe, NM, 2012
ISBN 9781934435571, 1934435570
171 pages
via ISEA Archives

Symposium website, (2)
Publisher
WorldCat

PDF, PDF, PDF (5 MB)
See also Conference proceedings (5 MB, PDF).

Journal of Research Cultures, 1 (2016)

“JRC is a platform for the communication and presentation of strategies of experimental, transdisciplinary and artistic research practices across epistemic cultures. It provides a forum for these epistemic cultures to interconnect and encourages comparative investigations by focusing on strategies rather than outcome of research activities. JRC deliberately emphasises the explorative nature of contemporary research with technology-supported methods and artistic- and practice-based approaches. It extends the philosophy of openness with the intention to be accessible to a broad audience both within the academic framework and outside.”

With contributions from Gerald Nestler, Armin Medosch, Josh Harle, Hans-Jörg Rheinberger, Margarete Jahrmann, Rosemary Lee, Shintaro Miyazaki, and Tavi Meraud.

Edited by Andrew Newman, Matthias Tarasiewicz, and Sophie-Carolin Wagner
Publisher Research Institute for Arts and Technology, Vienna, 2016
Creative Commons BY 3.0 License
ISSN 2411-3751

HTML (updated on 2019-5-29)

Marga Bijvoet: Art as Inquiry: Toward New Collaborations Between Art, Science, and Technology (1997) [EN, DE]

“Art as Inquiry is a pioneering yet under-recognized monographic study of art in the 1960s and early 1970s; Despite the subtitle, Bijvoet’s artistic concerns are not exclusively focused on science and technology, but rather with the “‘moving out’ into nature or the environment and the “moving ‘into technology’”: twin tendencies that, in her mind, stand out amidst the pluralism of 1960s art. She claims that these movements not only broke “the boundaries of art and … the commercial art world structure” but more importantly that environmental artists and tech artists both sought out and engaged in collaborations in which the artist “entered into a new relationship with the environment, space, public arena, onto the terrain of other sciences.”” (Edward A. Shanken)

Publisher Peter Lang, 1997
ISBN 0820433829, 9780820433820
x+283 pages

Review: Alan Dorin (2006).

WorldCat (EN)

Art as Inquiry (English, 1997, HTML, at Internet Archive)
Kunst-Forschung (German, n.d., HTML, at Internet Archive)