Hillel Schwartz: The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles, 2nd ed. (1996/2013)

The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra—counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries, not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic repro­duction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves.

This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with proglems of authenticity, identity, and originality.

First published in 1996
Publisher Zone Books, New York, 2013
ISBN 1935408453, 9781935408451
480 pages

Review (Terence Hawkes, London Review of Books, 1997)
Review (Francis Kane, The New York Times, 1997)
Review (Todd Gitlin, Los Angeles Times, 1997)

Publisher
Google books

Download (removed on 2014-3-20 upon request of the publisher)

Susan Buck-Morss: The Dialectics of Seeing: Walter Benjamin and the Arcades Project (1989–) [English, Spanish]

“Walter Benjamin‘s magnum opus was a book he did not live to write. In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen-Werk, or Arcades Project, as it might have taken form.

Working with Benjamin’s vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes visible the conceptual structure that gives these fragments philosophical coherence. She uses images throughout the book to demonstrate that Benjamin took the debris of mass culture seriously as the source of philosophical truth.

The Paris Arcades that so fascinated Benjamin (as they did the Surrealists whose “materialist metaphysics” he admired) were the prototype, the 19th century ‘ur-form’ of the modern shopping mall. Benjamin’s dialectics of seeing demonstrate how to read these consumer dream houses and so many other material objects of the time—from air balloons to women’s fashions, from Baudelaire’s poetry to Grandville’s cartoons—as anticipations of social utopia and, simultaneously, as clues for a radical political critique.

Buck-Morss plots Benjamin’s intellectual orientation on axes running east and west, north and south—Moscow Paris, Berlin-Naples—and shows how such thinking in coordinates can explain his understanding of ‘dialectics at a standstill’. She argues for the continuing relevance of Benjamin’s insights but then allows a set of “afterimages” to have the last word.”

Publisher MIT Press, 1989
Studies in Contemporary German Social Thought Series
ISBN 0262022680
493 pages

Reviews: Shierry Weber Nicholsen (New German Critique, 1990), Robert Tobin (Phil and Lit, 1991), James L. Gussen (Germanic Review, 1992), Erika Berroth (J Germanic Linguistics, 1994), Beste Alpay (Montréal Review, 2011).

Publisher (EN)

The Dialectics of Seeing: Walter Benjamin and the Arcades Project (English, 22 MB, updated on 2019-12-3)
Dialectica de la mirada: Walter Benjamin y el proyecto de los Pasajes (Spanish, trans. Nora Rabotnikof, 1995, updated on 2013-5-2)

Jens Beckert, Patrik Aspers (eds.): The Worth of Goods: Valuation and Pricing in the Economy (2011)

How do we place value on goods – and, importantly, why? Valuation and pricing are core issues in the market economy, but understanding of these concepts and their interrelation is weak. In response, The Worth of Goods takes a sociological approach to the perennial but timely question of what makes a product valuable.

Structured in three parts, it first examines value in the broader sense – moral values and how they are formed, and the relations between economic and non-economic values – discussing such matters as the value of an oil spill, the price of a scientific paper, value in ethical consumption, and imaginative value. The second part discusses the issues surrounding valuation in aesthetic markets, specifically wine, fashion models, art, and the creative industries. The third part analyzes valuation in financial markets – credit rating agencies, stock exchange markets, and industrial production.

This pioneering volume brings together leading social scientists to provide a range of theoretical tools and case studies for understanding price and the creation of value in markets within social and cultural contexts and preconditions. It is an important source for scholars in economics, sociology, anthropology, and political science interested in how markets work, and how value is established.

– Interdisciplinary contributions from sociology, economics, political science, and marketing
– Presents empirical studies of both financial and some unusual markets – wine, art, fashion
– Pioneering work at intersection of sociology, economics, and marketing
– Chapters by leading international scholars in economic sociology
– Revisits both established theories of value and current thinking

Publisher Oxford University Press, 2011
ISBN 0199594643, 9780199594641
346 pages

publisher
google books

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