Filed under artists publishing | Tags: · book, diagram, gestalt theory, graphic design, text, writing
“This is a book that is as close as possible to being entirely about itself.”
Diagrammatic Writing is a poetic demonstration of the capacity of format to produce meaning. The articulation of the codex, as a space of semantically generative relations, has rarely (if ever) been subject to so highly focused and detailed a study. The text and graphical presentation are fully integrated, co-dependent, and mutually self-reflexive.
This small book work should be of interest to writers, bibliographers, designers, conceptual artists, and anyone interested in the meta-language of diagrammatic thought in graphic form.
Edited, written and designed by Johanna Drucker
Online edition: /ubu editions, Visual Writing series
Printed edition: Onomatopee, Eindhoven; Cabinet Project, 97
Creative Commons BY-NC License
Commentary: Johanna Drucker (Iowa Review, 2014).
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Filed under book | Tags: · epistemology, gestalt theory, knowledge, knowledge production, philosophy, philosophy of science, science, tacit knowledge
“‘I shall reconsider human knowledge by starting from the fact that we can know more than we can tell,’ writes Michael Polanyi, whose work paved the way for the likes of Thomas Kuhn and Karl Popper. The Tacit Dimension argues that tacit knowledge—tradition, inherited practices, implied values, and prejudgments—is a crucial part of scientific knowledge. This volume challenges the assumption that skepticism, rather than established belief, lies at the heart of scientific discovery.”
Publisher Doubleday, Garden City/NY, 1966
via James L. Kelley
James Tenney: META⌿HODOS and META Meta⌿Hodos: A Phenomenology of 20th Century Musical Materials and an Approach to the Study of Form (1964/1988)
Filed under book | Tags: · cognitive science, gestalt theory, music, music theory, musique concrète, phenomenology, polyphony, sound
One of the great music theory books of the 20th century, by a thought-provoking composer. One of earliest applications of gestalt theory and cognitive science to music.
Originally published by the Inter-American Institute for Musical Research, Tulane University, New Orleans, 1964 (META-HODOS), and the Journal of Experimental Aesthetics 1.1, 1977 (“META Meta-Hodos”)
Edited by Larry Polansky
Publisher Frog Peak Music, Oakland/CA, 1988
ISBN 0945996004, 9780945996002