Oz Magazine (1963-73)

“Having outraged the Australian establishment with a satirical magazine called Oz, the editor and founder Richard Neville and artist and cartoonist Martin Sharp hightailed it to swinging London. They immersed themselves in the alternative culture of artists, activists, writers and musicians who operated underground of the mainstream.

This underground fuelled by the optimism and excitement of the time and financed largely by the rock aristocracy and dope dealing wanted to change the world. Richard Neville relaunched Oz magazine in the same satirical style as the Australian version, it was not long before L.S.D. altered minds and Oz exploded into a riot of colour and along with the already existing IT newspaper became a mouthpiece for the underground. Oz lasted for 48 issues from the start of 1967 to the end of 1973.” (Source)

“Oz was a focal point for many confrontations between progressive and conservative groups over a range of issues including the Vietnam War, drugs, the generation gap, censorship, sexuality, gender politics and rock music, and it was instrumental in bringing many of these concerns to wider public attention. Above all, it focused public attention on the issue of free speech in democratic society, and on how far short of the ideal Australian and English society actually was at that time.

Through both its lives, the two key figures in Oz were Neville and Sharp, but the ‘honour roll’ of Oz alumni includes many famous names like Robert Hughes, Richard Walsh, Germaine Greer, Jim Anderson, Felix Dennis and Charles Shaar Murray.” (Source)

Published in Sydney, 1963-69, and London, 1967-73

Wikipedia

PDFs of Oz’s precursor, The Arty Wild Oat (2 issues, 1962)
PDFs of Sydney version (42 issues)
PDFs of London version (48 issues)
OZ & Yellow House Collections, gallery (1960s-70s)

Theodore Roszak: The Making of a Counter Culture: Reflections on the Technocratic Society and Its Youthful Opposition (1969)

When it was published, this book captured a huge audience of Vietnam War protesters, dropouts, and rebels – and their baffled elders. Theodore Roszak found common ground between 1960s student radicals and hippie dropouts in their mutual rejection of what he calls the technocracy – the regime of corporate and technological expertise that dominates industrial society. He traces the intellectual underpinnings of the two groups in the writings of Herbert Marcuse and Norman O. Brown, Allen Ginsberg and Paul Goodman. Alan Watts wrote of The Making of a Counter Culture in the San Francisco Chronicle in 1969, “If you want to know what is happening among your intelligent and mysteriously rebellious children, this is the book. The generation gap, the student uproar, the New Left, the beats and hippies, the psychedelic movement, rock music, the revival of occultism and mysticism, the protest against our involvement in Vietnam, and the seemingly odd reluctance of the young to buy the affluent technological society – all these matters are here discussed, with sympathy and constructive criticism, by a most articulate, wise, and humane historian.”

Publisher Anchor Books, Doubleday, New York, 1969
303 pages

wikipedia
google books

The Making of a Counter Culture (English)
El nacimiento de una contracultura (Spanish, trans. Angel Abad, 1970/1981, added on 2013-7-2)