Filed under book | Tags: · africa, art, black culture, caribbean, diaspora, film, literature, music, négritude, pan-africanism, poetry
“Festac ’77, also known as the Second World Black and African Festival of Arts and Culture (the first was in Dakar, 1966), was a major international festival held in Lagos, Nigeria, from 15 January 1977 to 12 February 1977. The month-long event celebrated African culture and showcased to the world African music, fine art, literature, drama, dance and religion. About 16,000 participants, representing 56 African nations and countries of the African Diaspora, performed at the event.
Artists who performed at the festival included Stevie Wonder from United States, Gilberto Gil from Brazil, Bembeya Jazz National from Guinea, Mighty Sparrow from Trinidad and Tobago, Les Ballets Africains, South African Miriam Makeba, and Franco Luambo Makiadi. At the time it was held, it was the largest pan-African gathering to ever take place.” (Wikipedia)
Publisher Africa Journal Limited, London, and International Festival Committee, Lagos, 1977
via Abdul Alkalimat
Film documentary (UNESCO, 1977, 26 MB)
Commentary: Arthur Monroe (Black Scholar, 1977), Iris Kay (African Arts, 1977), J. Southern (Black Perspective in Music, 1977), Moyibi Amoda (book-length evaluation, 1978, 80 MB).
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Filed under booklet | Tags: · affect, appropriation, art, internet, literature, performance, poetics, poetry
“This lecture premiered at The Louvre auditorium as part of FIAC’s public programs in October, 2017. To give it, I loaded the talk into a teleprompter program on my laptop. The linebreaks in the piece are a result of the way the teleprompter program broke them up in order to facilitate the reading of the work. Although I have never written lineated verse, I love the idea that a computer lineated the verse for me. This lecture, then, reads an awful lot like the way I talk, but it is truly nothing like the way I talk.”
Publisher Het Balanseer, Ghent, 2018
Filed under book | Tags: · art, art criticism, art history, avant-garde, bauhaus, cubism, dada, de stijl, expressionism, fauvism, futurism, history of literature, imagism, lettrism, literature, manifesto, modernism, surrealism, symbolism, vorticism
“An anthology featuring over 200 artistic and cultural manifestos from a wide range of countries. It includes texts ranging from Kurt Schwitters’ ‘Cow Manifesto’ to those written in the name of well-known movements – imagism, cubism, surrealism, symbolism, and projectivism – and less well-known ones – lettrism, acmeism, concretism, and rayonism.”
Publisher University of Nebraska Press, Lincoln, 2001
ISBN 0803264070, 9780803264076
PDF (14 MB, updated on 2017-11-21)Comment (0)