Katalin Cseh-Varga, Adam Czirak (eds.): Performance Art in the Second Public Sphere: Event-based Art in Late Socialist Europe (2018)

22 April 2018, dusan

“This is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular, critical roles that this work assumed under censorial circumstances.

The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.”

Publisher Routledge, New York & London, 2018
ISBN 9781138723276, 1138723274
xii+263 pages

Interview with editors (ARTMargins, 2014)

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Theory, Culture & Society 23(2-3): Problematizing Global Knowledge (2006)

31 August 2016, dusan

In this special issue the TCS editorial board, along with colleagues in East and South-East Asia and other parts of the world, ventured in ‘encyclopaedic explorations’ in order to “rethink knowledge under the impact of globalization and digitization. The issue features over 150 entries and supplements on a range of topics which are addressed in terms of their relevance to knowledge formation, by contributors writing from a wide range of perspectives and different parts of the world. The entries and supplements are gathered under three main headings: metaconcepts, metanarratives and sites and institutions.”

Edited by Mike Featherstone, Couze Venn, Ryan Bishop and John Phillips, with Pal Ahluwalia, Roy Boyne, Beng Huat Chua, John Hutnyk, Scott Lash, Maria Esther Maciel, George Marcus, Aihwa Ong, Roland Robertson, Bryan Turner, Shiv Visvanathan, Shunya Yoshimi
With an Introduction by Mike Featherstone and Couze Venn
Publisher Sage, 2006
616 pages

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Oskar Negt, Alexander Kluge: Public Sphere and Experience: Toward an Analysis of the Bourgeois and Proletarian Public Sphere (1972–)

28 July 2012, dusan

“The ‘public sphere’ is widely debated in contemporary literary and cultural studies circles in the United States. The topic’s significance underscores the pressing problem of the location of these contemporary debates: Is the ‘public sphere’ a single authoritative and universal space in which the various positions in these debates compete for recognition, or does it consist of multiple local spaces spread over diverse collectivities? The term ‘public’ has emerged with new urgency in different disciplines and contexts history, cinema and television studies, art criticism, feminist, gay and lesbian, postcolonial, and subaltern perspectives, and is proliferating in titles of books, articles, and college courses. Public Sphere and Experience opens the discussion of the material conditions of experience into an arena that had previously figured only as an abstract term: the media of mass and consumer culture, in particular the so-called new media.”

Originally published as Öffentlichkeit und Erfahrung: Zur Organisationsanalyse von bürgerlicher und proletarischer Öffentlichkeit, 1972, Suhrkamp Verlag, Frankfurt

Translated by Peter Labanyi, Jamie Owen Daniel, and Assenka Oksiloff
Foreword by Miriam Hansen
Publisher University of Minnesota Press, 1993
Theory and History of Literature series, 85
ISBN 0816620318, 9780816620319
305 pages

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