Collected Works of Velimir Khlebnikov, 3 vols. (1987-1998)
Filed under poetry | Tags: · fiction, futurism, language, literary theory, literature, poetics, poetry, theatre, zaum
“Dubbed by his fellow Futurists the “King of Time”, Velimir Khlebnikov (1885–1922) spent his entire brief life searching for a new poetic language to express his convictions about the rhythm of history, the correspondence between human behavior and the “language of the stars.” The result was a vast body of poetry and prose that has been called hermetic, incomprehensible, even deranged. Of all this tragic generation of Russian poets (including Blok, Esenin, and Mayakovsky), Khlebnikov has been perhaps the most praised and the more censured.”
Edited by Charlotte Douglas (1), Ronald Vroon (2-3)
Translated by Paul Schmidt
Publisher Harvard University Press, 1987-98
ISBN 0674140451 (1), 067414046X (2), 0674140478 (3)
xii+452 & xii+403 & x+274 pages
Reviews: Cooke (of Vol 1, SEER 1989), Yastremski (of Vol 2, SEEJ 1990).
1. Letters and Theoretical Writings (1987, 29 MB)
2. Prose, Plays, and Supersagas (1989, 17 MB)
3: Selected Poems (1998, 10 MB)
More from Khlebnikov (incl 6-volume Russian collection)
Khlebnikov on Ubuweb Sound
Kenneth Goldsmith: Theory (2015) [EN, FR]
Filed under artist publishing | Tags: · language, literature, poetics, poetry, theory, writing
“Theory offers an unprecedented reading of the contemporary world: 500 texts – from poems and musings to short stories – printed on 500 pages assembled in the form of a ream of paper. Curated by the author-poet, this collection maps out the various issues and trends in contemporary literature in a world currently being shaken up by everything online and digital, and calls for the reinvention of creative forms.”
Edition directed by Mathieu Cénac and David Desrimais
Publisher Jean Boîte, Paris, May 2015
ISBN 9782365680103 (EN)
500 pages
Theory (English, cover, inner side of wrapper, label)
Théorie (French, trans. Léa Faust, cover, label)
François Laplantine: The Life of the Senses: Introduction to a Modal Anthropology (2005/2015)
Filed under book | Tags: · anthropology, body, cinema, ethnography, film, image, knowledge, language, life, movement, philology, philosophy, rhythm, sensation, sensory ethnography
“Both a vital theoretical work and a fine illustration of the principles and practice of sensory ethnography, this much anticipated translation is destined to figure as a major catalyst in the expanding field of sensory studies.
Drawing on his own fieldwork in Brazil and Japan and a wide range of philosophical, literary and cinematic sources, the author outlines his vision for a ‘modal anthropology’. François Laplantine challenges the primacy accorded to ‘sign’ and ‘structure’ in conventional social science research, and redirects attention to the tonalities and rhythmic intensities of different ways of living. Arguing that meaning, sensation and sociality cannot be considered separately, he calls for a ‘politics of the sensible’ and a complete reorientation of our habitual ways of understanding reality.”
First published as Le social et le sensible: introduction à une anthropologie modale, Téraèdre, Paris, 2005.
Translated by Jamie Furniss
With an Introduction by David Howes
Publisher Bloomsbury, London, 2015
Sensory Studies series, 1
ISBN 1472534808, 9781472534804
xviii+152 pages
Reviews: Claude Rivière (Recherches sociologiques et anthropologiques, 2006, FR), Fabien Pernet (Anthropologie et sociétés, 2006, FR), Georges Bertin (Esprit critique, 2009, FR).
PDF (updated on 2016-8-20)
More on François Laplantine and sensory ethnography.
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