Jean Dubuffet: Ler dla canpane (1948) [French]

An early work of Dubuffet, written phonetically and illustrated with six linocuts and woodcuts. The author presented it as “le premier texte publié en langue française vivante depuis les Serments de Strasbourg” [the first text published in French as a living language since the Oaths of Strasbourg]. Issued in 150+15 copies.

Publisher Art brut, Paris, 1948
[16] pages, 19 x 13.8 x 0.2 cm
via Beinecke Rare Book & Manuscript Library

PDF (16 MB)
JPGs

The Situationist Times, 4-5 (1963-64)

“The Situationist Times was an international, English-language periodical created and edited by Jacqueline de Jong, of which six issues were published between 1962 and 1967. A radical compendium using such Situationist tactics as détournement and a printed form of dérive, the journal included essays, artwork, found images, and quotations concerned with such issues as topology, politics, and spectacle culture.” (Beinecke’s Postwar Culture)

“In 1959 Jacqueline de Jong became involved with Danish artist Asger Jorn. Through him she became involved with the Gruppe Spur, the German section of the Internationale Situationniste. Meeting Guy Debord in 1960 in Amsterdam.

Jacqueline de Jong had in 1958 become acquainted with the artist Constant and other Dutch members of the Situationist International – Armando and the architect Har Oudejans – while working for the Stedelijk Museum in Amsterdam. From 1957 until 1962 the role of the artists in the S.I. was of great significance, particularly Jorn and Constant, the Belgian Maurice Wijckaert, the Italian Pinot Gallizio, German “Gruppe Spur”, Jacqueline de Jong, the Brits Ralph Romney and Gordon Fazekerly, and the Scandinaians Ansgar Eelde, J.J. Thorsen, Jørgen Nash.

In 1960, there was a conflict between Debord and the Dutch section after being expelled, Debord to write to her: “La Hollande est à vous”.

In Paris, in February 1962, Jacqueline de Jong was herself expelled after defending the Gruppe Spur. Who had been expelled earlier. In May that year she launched the magazine The Situationist Times. The first two issues were edited with Noel Arnaud. The launch of the Magazine had been announced and agreed upon at a meeting of the S.I. in Brussels the previous year. The students uprising in Paris May 1968 was supported by Jacqueline de Jong with posters.” (CCIndex)

Number 4 deals with labyrinths and Number 5 takes up the theme of rings and chains.

Edited and published by Jacqueline de Jong, Paris, Oct 1963 & Dec 1964
Printed in Copenhagen
184 & 219 pages

Editor

Number 4 (PDF, 33 MB)
Number 5 (PDF, 47 MB)

See also research notes for SI4 and maquettes for SI5 at Beinecke.
The full run is available on Monoskop wiki. (added on 2021-11-1)

Caren Irr: Pink Pirates: Contemporary American Women Writers and Copyright (2010)

“Readings of contemporary American women writers, controversies over copyright, and feminist theory

Today, copyright is everywhere, surrounded by a thicket of no trespassing signs that mark creative work as private property. Caren Irr’s Pink Pirates asks how contemporary novelists—represented by Ursula Le Guin, Andrea Barrett, Kathy Acker, and Leslie Marmon Silko—have read those signs, arguing that for feminist writers in particular copyright often conjures up the persistent exclusion of women from ownership. Bringing together voices from law schools, courtrooms, and the writer’s desk, Irr shows how some of the most inventive contemporary feminist novelists have reacted to this history.

Explaining the complex, three-century lineage of Anglo-American copyright law in clear, accessible terms and wrestling with some of copyright law’s most deeply rooted assumptions, Irr sets the stage for a feminist reappraisal of the figure of the literary pirate in the late twentieth century—a figure outside the restrictive bounds of U.S. copyright statutes.

Going beyond her readings of contemporary women authors, Irr’s exhaustive history of how women have fared under intellectual property regimes speaks to broader political, social, and economic implications and engages digital-era excitement about the commons with the most utopian and materialist strains in feminist criticism.”

Publisher University of Iowa Press, 2010
ISBN 1587299127, 9781587299124
220 pages
via wX

Reviews: Madeleine Monson-Rosen (Mediations, 2010), Sean Latham (Modern Language Quarterly, 2012).

Publisher
WorldCat

PDF (updated 2017-9-22)
ARG