L. Moholy-Nagy: Vision in Motion (1947)
Filed under book | Tags: · abstraction, architecture, art, art education, bauhaus, biology, design, film, image, industrial design, life, light, literature, machine, motion, painting, perception, photography, poetry, sculpture, technology, visual communication, visual poetry
“This book is written for the artist and the layman, for everyone interested in his relationship to our existing civilization. It is an extension of my previous book, The New Vision. But while The New Vision gave mainly particulars about the educational methods of the old Bauhaus, Vision in Motion concentrates on the work of the Institute of Design, Chicago, and presents a broader, more general view of the interrelatedness of art and life.” (from the author’s foreword)
Publisher Paul Theobald, Chicago, 1947
371 pages
PDF (114 MB, no OCR)
Comments (2)Media-N, 11(1): The Aesthetics of Erasure (2015)
Filed under journal | Tags: · aesthetics, archive, art, art criticism, literary criticism, literature, memory, new media, poetry, preservation, storage
“Against the backdrop of a longstanding practice of erasure both in artistic and critical work, authors in this issue explore the aesthetics of erasure in the digital era, investigating new meanings and the relevance of erasure within contexts of digital production, preservation, and sharing.”
With texts and visual essays by Joshua Craze; Seth Ellis; Kaja Marczewska; Justin Berry; David Gyscek; Derek Beaulieu; Amaranth Borsuk, Jesper Juul, and Nick Montfort; Torsa Ghosal; William Basinski; Ella Klik and Diana Kamin; and Matthew Schilleman.
Guest editors: Paul Benzon and Sarah Sweeney
Publisher New Media Caucus, May 2015
Open Access
ISSN 1942-017X
Blaise Cendrars, Sonia Delaunay-Terk: La Prose du Transsibérien et de la petite Jehanne de France (1913) [FR, EN]
Filed under artist publishing | Tags: · abstract art, avant-garde, poetry
“La Prose du Transsibérien et de la petite Jehanne de France [Prose of the Trans-Siberian and of Little Jehanne of France] is a collaborative artists’ book by Blaise Cendrars and Sonia Delaunay-Terk. It features a poem by Cendrars about a journey through Russia on the Trans-Siberian Express in 1905, during the first Russian Revolution, interlaced with an almost-abstract pochoir print by Delaunay-Terk. The work, published in 1913, is considered a milestone in the evolution of artist’s books as well as modernist poetry and abstract art.” (Wikipedia)
Interview with Cedrars (Michel Manoll, trans. William Brandon, 1950/1966, EN)
Publisher Éditions des Hommes Nouveaux, 1913
200 x 36 cm; folded to 10 x 18 cm
via Beinecke Rare Book & Manuscript Library, MT Marcelo Gutman
View online, Portions in higher resolution (at Beinecke)
Version at British Library
PDF (2 MB)
JPG (2 MB)
MP3 (read by Vicky Messica, c1985, 54 MB, via continuo)
English translations
by Donald Wellman
by Ekaterina Likhtik