Danske kunstnerbøger / Danish Artists’ Books (2013) [Danish/English]

This publication “offers the first comprehensive presentation of Danish artists’ books – pioneers, main works, periods, links to international movements, contemporary artists’ books – via a wide range of contributions from Danish scholars, art critics, and artists as well as from some of the leading international scholars within the field including Anne Moeglin-Delcroix and Johanna Drucker. This dual-language edition presents the artists who have had the greatest impact on the artist’s book tradition in Denmark, including Asger Jorn, Per Kirkeby, Tal R, Lene Adler Petersen, Albert Mertz, Jytte Rex, Henrik Have, Per Kirkeby, Claus Carstensen, Stig Brøgger, Jesper Fabricius, Christian Vind and Goodiepal.”

Edited by Thomas Hvid Kromann, Louise Hold Sidenius, Maria Kjær Themsen and Marianne Vierø
Publisher Møller, Copenhagen, and Walther König, Cologne, 2013
ISBN 9783863354749, 3863354745
300 pages

Review: Gustavo Grandal Montero (Art Libraries J, 2015).

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PDF (9 MB, updated on 2021-1-14)

David Link: Archaeology of Algorithmic Artefacts (2016)

“Unearthing the cumulus of transient technologies that underlie the fabric of contemporary society

As historical processes increasingly become steeped in technology, it becomes more and more necessary for a discipline to emerge that is capable of comprehending these materialities beyond their shelf life to better understand the fields they inundate such as science, art, and warfare. This effort is further compromised by the inherent complexity and complete arbitrariness of technical languages – especially when they are algorithmic – along with the rapid pace in which they become obsolete, unintelligible, or simply forgotten. The Turing Machine plays a central role in the Archaeology of Algorithmic Artefacts, wherein the gradual developments of the individual components encompassed by this complex technology are placed within the context of engineering sciences and the history of inventions. This genealogy also traces the origin of the computer in disciplines such as mathematics, meta-mathematics, combinatorics, cryptology, philosophy, and physics. The investigations reveal that the history of apparatuses that process signs is in no way limited, as one might think, to the second half of the 20th century, rather it is possible that they existed at all times and in all cultures.”

Publisher Univocal Publishing, Minneapolis, 2016
ISBN 9781937561048, 1937561046
207 pages

Review: Lisa Gitelman (Computational Culture, 2017).

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PDF (18 MB)

Pamela McCorduck: Machines Who Think: A Personal Inquiry into the History and Prospects of Artificial Intelligence, 2nd ed. (1979/2004)

“Pamela McCorduck first went among the artificial intelligentsia when the field was fresh and new, and asked the scientists engaged in it what they were doing and why. She saw artificial intelligence as the scientific apotheosis of one of the most enduring, glorious, often amusing, and sometimes alarming, traditions of human culture: the endless fascination with artifacts that think. Machines Who Think was translated into many languages, became an international cult classic, and stayed in print for nearly twenty years.

Now, Machines Who Think is back, along with an extended addition that brings the field up to date in the last quarter century, including its scientific and its public faces. McCorduck shows how, from a slightly dubious fringe science, artificial intelligence has moved slowly (though not always steadily) to a central place in our everyday lives, and how it will be even more crucial as the World Wide Web moves into its next generation.”

First edition published by W. H. Freeman, 1979.

Publisher A.K. Peters, Natick, MA, 2004
ISBN 1568812051, 9781568812052
xxx+565 pages

Reviews: Philip Mirowski (AI Magazine, 2003), Richard Ennals (AI & Society, 2004), Mike Holderness (New Scientist, 2004).

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PDF (4 MB)