Timothy Morton: Ecology Without Nature: Rethinking Environmental Aesthetics (2007)

“In Ecology without Nature, Timothy Morton argues that the chief stumbling block to environmental thinking is the image of nature itself. Ecological writers propose a new worldview, but their very zeal to preserve the natural world leads them away from the “nature” they revere. The problem is a symptom of the ecological catastrophe in which we are living. Morton sets out a seeming paradox: to have a properly ecological view, we must relinquish the idea of nature once and for all.

Ranging widely in eighteenth-century through contemporary philosophy, culture, and history, Morton explores the value of art in imagining environmental projects for the future. Morton develops a vocabulary for reading “environmentality” in artistic form as well as content, and traces the contexts of ecological constructs through the history of capitalism. From John Clare to John Cage, from Kierkegaard to Kristeva, from The Lord of the Rings to electronic life forms, Ecology without Nature extends the view of ecological criticism. Instead of trying to use an idea of nature to heal what society has damaged, Morton sets out a new form of ecological criticism: “dark ecology.””

Publisher Harvard University Press, 2007
ISBN 0674024346, 9780674024342
249 pages

Reviews: Keegan (Studies in Romanticism, 2008), Philips (Oxford Literary Review, 2010), Holmes (Journal of Ecocriticism, 2012).

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Verena Andermatt Conley (ed.): Rethinking Technologies (1993)

Grounded on the assumption that the relationship between the arts and the sciences is dictated by technology, the essays in Rethinking Technologies explore trends in contemporary thought that have been changing our awareness of science, technology, and the arts.

Contributors: Teresa Brennan, Patrick Clancy, Verena Andermatt Conley, Scott Durham, Thierry de Duve, Françoise Gaillard, Félix Guattari, N. Katherine Hayles, Alberto Moreiras, Jean-Luc Nancy, Avital Ronell, Ingrid Scheibler, Paul Virilio.

Edited by Verena Andermatt Conley on behalf of the Miami Theory Collective (Oxford, Ohio)
Publisher University of Minnesota Press, 1993
ISBN 0816622159, 9780816622153
248 pages

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Jacques Barzun: Darwin, Marx, Wagner: Critique of a Heritage, 2nd ed (1941–)

The nomination of Wagner rather than Freud in the trinity of emblematic modern minds is a sign of Barzun’s profound interest in music and the arts. He argued that these men achieved their reputations by catching the spirit of the age, like surfers on a wave, backed by the formidable public relations exercises mounted by their followers . This earned them the status of intellectual icons despite their lack of originality and the significant flaws in their systems. He described in some detail how all the leading ideas of evolutionary theory, socialism and the leading role of the artist were commonplace for decades before the big three started work.

Barzun was especially critical of the way that their adherents promoted determinism and scientism, with truly disastrous political consequences in the twentieth century. In addition to the shortcomings of their systems, two of the three titans were monstrously egocentric and unprincipled exploiters of their friends and denigrators of their enemies. These personal characteristics became prominent in the modus operandi of their followers, setting the tone for bad manners in transactions between intellectuals that have persisted to the present time.

Reprint of the revised 2nd edition, 1958, with a new Preface, 1981
Publisher University of Chicago Press
ISBN 0226038599
373 pages

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