querelles-net, Rezensionszeitschrift für Frauen- und Geschlechterforschung (2000-2011-) [German]

querelles-net erschließt die Vielzahl fachspezifischer, inter- und transdisziplinärer Veröffentlichungen im Bereich der Frauen- und Geschlechterforschung/Gender Studies. Wissenschaftliche Rezensionen geben einen Überblick über wichtige Publikationen und aktuelle Forschungsschwerpunkte. Die fortlaufend aktualisierte Bibliographie informiert über die Neuerscheinungen des Feldes.

querelles-net erscheint seit 2000 in Ergänzung zu Querelles. Jahrbuch für Frauen- und Geschlechterforschung (1996 ff.).

querelles-net ist Teil des Publikationsförderprogramms zur Frauen- und Geschlechterforschung an der Freien Universität Berlin.

Redaktionsleitung: Marco Tullney
Redaktion: Valeria Raupach, Anita Runge, Marco Tullney
Published by Freien Universität Berlin
ISSN 1862-054X
Licensed under Creative Commons Attribution 3.0 Germany License (from Issue 2009 / 1)

PDF (Vol 12 Issue 2; 2011; EPUB)
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Cretien van Campen: The Hidden Sense: Synesthesia in Art and Science (2007)

What does it mean to hear music in colors, to taste voices, to see each letter of the alphabet as a different color? These uncommon sensory experiences are examples of synesthesia, when two or more senses cooperate in perception. Once dismissed as imagination or delusion, metaphor or drug-induced hallucination, the experience of synesthesia has now been documented by scans of synesthetes’ brains that show “crosstalk” between areas of the brain that do not normally communicate. In The Hidden Sense, Cretien van Campen explores synesthesia from both artistic and scientific perspectives, looking at accounts of individual experiences, examples of synesthesia in visual art, music, and literature, and recent neurological research.

Van Campen reports that some studies define synesthesia as a brain impairment, a short circuit between two different areas. But synesthetes cannot imagine perceiving in any other way; many claim that synesthesia helps them in daily life. Van Campen investigates just what the function of synesthesia might be and what it might tell us about our own sensory perceptions. He examines the experiences of individual synesthetes—from Patrick, who sees music as images and finds the most beautiful ones spring from the music of Prince, to the schoolgirl Sylvia, who is surprised to learn that not everyone sees the alphabet in colors as she does. And he finds suggestions of synesthesia in the work of Scriabin, Van Gogh, Kandinsky, Nabokov, Poe, and Baudelaire.

What is synesthesia? It is not, van Campen concludes, an audiovisual performance, a literary technique, an artistic trend, or a metaphor. It is, perhaps, our hidden sense—a way to think visually; a key to our own sensitivity.

Publisher MIT Press, 2008
Leonardo Books series
ISBN 0262220814, 9780262220811
185 pages

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PDF (updated on 2013-3-19)

Jacques Barzun: Darwin, Marx, Wagner: Critique of a Heritage, 2nd ed (1941–)

The nomination of Wagner rather than Freud in the trinity of emblematic modern minds is a sign of Barzun’s profound interest in music and the arts. He argued that these men achieved their reputations by catching the spirit of the age, like surfers on a wave, backed by the formidable public relations exercises mounted by their followers . This earned them the status of intellectual icons despite their lack of originality and the significant flaws in their systems. He described in some detail how all the leading ideas of evolutionary theory, socialism and the leading role of the artist were commonplace for decades before the big three started work.

Barzun was especially critical of the way that their adherents promoted determinism and scientism, with truly disastrous political consequences in the twentieth century. In addition to the shortcomings of their systems, two of the three titans were monstrously egocentric and unprincipled exploiters of their friends and denigrators of their enemies. These personal characteristics became prominent in the modus operandi of their followers, setting the tone for bad manners in transactions between intellectuals that have persisted to the present time.

Reprint of the revised 2nd edition, 1958, with a new Preface, 1981
Publisher University of Chicago Press
ISBN 0226038599
373 pages

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PDF (updated on 2014-9-5)