Alexander R. Galloway, Eugene Thacker, McKenzie Wark: Excommunication: Three Inquiries in Media and Mediation (2013)
Filed under book | Tags: · communication, horror, media, media theory, mediation, mysticism, mythology, networks, queer theory, theory
“Always connect—that is the imperative of today’s media. But what about those moments when media cease to function properly, when messages go beyond the sender and receiver to become excluded from the world of communication itself—those messages that state: “There will be no more messages”? In this book, Alexander R. Galloway, Eugene Thacker, and McKenzie Wark argue that these moments reveal the ways the impossibility of communication is integral to communication itself—instances they call excommunication.
In three linked essays, Excommunication pursues this elusive topic by looking at mediation in the face of banishment, exclusion, and heresy, and by contemplating the possibilities of communication with the great beyond. First, Galloway proposes an original theory of mediation based on classical literature and philosophy, using Hermes, Iris, and the Furies to map out three of the most prevalent modes of mediation today—mediation as exchange, as illumination, and as network. Then, Thacker goes beyond Galloway’s classification scheme by examining the concept of excommunication through the secret link between the modern horror genre and medieval mysticism. Charting a trajectory of examples from H. P. Lovecraft to Meister Eckhart, Thacker explores those instances when one communicates or connects with the inaccessible, dubbing such modes of mediation “haunted” or “weird” to underscore their inaccessibility. Finally, Wark evokes the poetics of the infuriated swarm as a queer politics of heresy that deviates from both media theory and the traditional left. He posits a critical theory that celebrates heresy and that is distinct from those that now venerate Saint Paul.
Reexamining commonplace definitions of media, mediation, and communication, Excommunication offers a glimpse into the realm of the nonhuman to find a theory of mediation adequate to our present condition.”
Publisher University of Chicago Press, 2013
TRIOS series
ISBN 0226925226, 9780226925226
210 pages
Reviews: Daniel Colucciello Barber (Parrhesia, 2014), Jay Murphy (Afterimage, 2014), Geert Lovink (e-flux, 2014, Wark’s response), Aleksandra Kaminska (Reviews in Cultural Theory, 2015), Marco Deseriis (Culture Machine, 2015).
PDF (updated on 2019-11-20)
Comment (0)Luciana Parisi: Contagious Architecture: Computation, Aesthetics, and Space (2013)
Filed under book | Tags: · abstraction, aesthetics, algorithm, architecture, cognition, computation, computing, cybernetics, design, evolution, feedback, infinity, information, interaction design, knowledge, media, metaphysics, networks, neural networks, philosophy, processing, randomness, sensors, software, space, temporality, time, topology, variation
“In Contagious Architecture, Luciana Parisi offers a philosophical inquiry into the status of the algorithm in architectural and interaction design. Her thesis is that algorithmic computation is not simply an abstract mathematical tool but constitutes a mode of thought in its own right, in that its operation extends into forms of abstraction that lie beyond direct human cognition and control. These include modes of infinity, contingency, and indeterminacy, as well as incomputable quantities underlying the iterative process of algorithmic processing.
The main philosophical source for the project is Alfred North Whitehead, whose process philosophy is specifically designed to provide a vocabulary for “modes of thought” exhibiting various degrees of autonomy from human agency even as they are mobilized by it. Because algorithmic processing lies at the heart of the design practices now reshaping our world—from the physical spaces of our built environment to the networked spaces of digital culture—the nature of algorithmic thought is a topic of pressing importance that reraises questions of control and, ultimately, power. Contagious Architecture revisits cybernetic theories of control and information theory’s notion of the incomputable in light of this rethinking of the role of algorithmic thought. Informed by recent debates in political and cultural theory around the changing landscape of power, it links the nature of abstraction to a new theory of power adequate to the complexities of the digital world.”
Publisher MIT Press, 2013
Technologies of Lived Abstraction series
ISBN 0262018632, 9780262018630
392 pages
For a New Computational Aesthetics: Algorithmic Environments as Actual Objects lecture by Parisi (2012, video, 72 min).
Reviews: Lecomte (Mute, 2013), Ikoniadou (Computational Culture, 2014).
PDF (24 MB, updated o 2021-10-28)
Comments (2)Siegfried Zielinski: Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means (2002–) [EN, ES]
Filed under book | Tags: · alchemy, art, cinema, electricity, machine, magic, mathematics, media, media archeology, networks, perception, religion, telegraphy, theatre, time, video, vision
“Siegfried Zielinski argues that the history of the media does not proceed predictably from primitive tools to complex machinery; in Deep Time of the Media, he illuminates turning points of media history—fractures in the predictable—that help us see the new in the old.
Drawing on original source materials, Zielinski explores the technology of devices for hearing and seeing through two thousand years of cultural and technological history. He discovers the contributions of ‘dreamers and modelers’ of media worlds, from the ancient Greek philosopher Empedocles and natural philosophers of the Renaissance and Baroque periods to Russian avant-gardists of the early twentieth century. ‘Media are spaces of action for constructed attempts to connect what is separated,’ Zielinski writes. He describes models and machines that make this connection: including a theater of mirrors in sixteenth-century Naples, an automaton for musical composition created by the seventeenth-century Jesuit Athanasius Kircher, and the eighteenth-century electrical tele-writing machine of Joseph Mazzolari, among others.”
Originally published as Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens, Rowohlt, Reinbek bei Hamburg, 2002.
Foreword by Timothy Druckrey
Translated by Gloria Custance
Publisher MIT Press, 2006
ISBN 0262240491, 9780262240499
375 pages
Reviews: Simon Werrett (Technology and Culture, 2007), Digital Creativity (2007), Simone Natale (Canadian Journal of Communication, 2012), Stephanie Lam (n.d.).
Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means (English, trans. Gloria Custance, 2006, 10 MB, updated on 2020-3-24)
Arqueología de los Medios. Hacia el tiempo profundo de la visión y la audición técnica (Spanish, trans. Alvaro Moreno-Hoffmann, 2011, 9 MB, added 2015-6-1 via Will, updated on 2020-3-24)