Matthew Fuller, Andrew Goffey: Evil Media (2012)

“Evil Media develops a philosophy of media power that extends the concept of media beyond its tried and trusted use in the games of meaning, symbolism, and truth. It addresses the gray zones in which media exist as corporate work systems, algorithms and data structures, twenty-first century self-improvement manuals, and pharmaceutical techniques. Evil Media invites the reader to explore and understand the abstract infrastructure of the present day. From search engines to flirting strategies, from the value of institutional stupidity to the malicious minutiae of databases, this book shows how the devil is in the details.

The title takes the imperative “Don’t be evil” and asks, what would be done any differently in contemporary computational and networked media were that maxim reversed.

Media here are about much more and much less than symbols, stories, information, or communication: media do things. They incite and provoke, twist and bend, leak and manage. In a series of provocative stratagems designed to be used, Evil Media sets its reader an ethical challenge: either remain a transparent intermediary in the networks and chains of communicative power or become oneself an active, transformative medium.”

Publisher MIT Press, 2012
ISBN 0262304406, 9780262304405
235 pages

Review: Nicholas Holm (Media Int’l AU, 2013), Neural (2013).
Evil media on Monoskop wiki

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PDF (updated on 2024-4-13)
HTML (added on 2015-8-28)

See also YoHa, et al., Evil Media Distribution Centre, 2013.

Nathan Ensmenger: The Computer Boys Take Over: Computers, Programmers, and the Politics of Technical Expertise (2010)

Like all great social and technological developments, the “computer revolution” of the twentieth century didn’t just happen. People—not impersonal processes—made it happen. In The Computer Boys Take Over, Nathan Ensmenger describes the emergence of the technical specialists—computer programmers, systems analysts, and data processing managers—who helped transform the electronic digital computer from a scientific curiosity into the most powerful and ubiquitous technology of the modern era. They did so not as inventors from the traditional mold, but as the developers of the “software” (broadly defined to include programs, procedures, and practices) that integrated the novel technology of electronic computing into existing social, political, and technological networks. As mediators between the technical system (the computer) and its social environment (existing structures and practices), these specialists became a focus for opposition to the use of new information technologies. To many of their contemporaries, it seemed the “computer boys” were taking over, not just in the corporate setting, but also in government, politics, and society in general.

Ensmenger follows the rise of the computer boys as they struggled to establish a role for themselves within traditional organizational, professional, and academic hierarchies. He describes the tensions that emerged between the craft-centered practices of vocational programmers, the increasingly theoretical agenda of academic computer science, and the desire of corporate managers to control and routinize the process of software development. In doing so, he provides a human perspective on what is too often treated as a purely technological phenomenon.

Publisher MIT Press, 2010
History of Computing series
ISBN 0262302829, 9780262302821
320 pages

reviews

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google books

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Dick Higgins: Computers for the Arts (1970)

Includes Fortran program and printout of Hank and Mary, A Love Story, A Chorale by Higgins, realized by Higgins and James Tenney; and program and printout of Proposition No. 2 for Emmett Williams by Alison Knowles, realized by James Tenney.

Publisher Abyss Publications, Somerville/MA, June 1970
ISBN 091185603X, 9780911856033
17 pages

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PDF (2-up version, added on 2014-2-5, via Lori Emerson)